By some means Richmond avoided the manufactories that have entirely altered the character of such places as Skipton and Durham, but if we wish to see what might have happened or what may still befall this town, it is only necessary for us to go a little way above the new bridge, and there, beneath the castle heights, see one of the most conspicuously and unnecessarily ugly gasworks that was ever dumped upon a fair scene. I suppose a day will arrive when the Mayor and Corporation will lay their heads together with the object of devising a plan for the removal of these dismal buildings to some site where they will be less offensive, but until that day they will continue to mar the charms of a town whose situation is almost unequalled in this island.
From whatever side you approach it, Richmond has always some fine combination of towers overlooking a confusion of old red roofs and of rocky heights crowned with ivy-mantled walls, all set in the most sumptuous surroundings of silvery river and wooded hills, such as the artists of the age of steel-engraving loved to depict. Every one of these views has in it one dominating feature in the magnificent Norman keep of the castle. It overlooks church towers and everything else with precisely the same aloofness of manner it must have assumed as soon as the builders of nearly eight hundred years ago had put the last stone in place. Externally, at least, it is as complete to-day as it was then, and as there is no ivy upon it, I cannot help thinking that the Bretons who built it in that long-distant time would swell with pride were they able to see how their ambitious work has come down the centuries unharmed.
We can go across the modern bridge, with its castellated parapets, and climb up the steep ascent on the further side, passing on the way the parish church, standing on the steep ground outside the circumscribed limits of the wall that used to enclose the town in early times. Turning towards the castle, we go breathlessly up the cobbled street that climbs resolutely to the market-place in a foolishly direct fashion, which might be understood if it were a Roman road. There is a sleepy quietness about this way up from the station, which is quite a short distance, and we look for much movement and human activity in the wide space we have reached; but here, too, on this warm and sunny afternoon, the few folks who are about seem to find ample time for conversation and loitering. At the further end of the great square there are some vast tents erected close to the big obelisk that forms the market-cross of the present day. Quantities of straw are spread upon the cobbles, and the youth of Richmond watches with intense interest the bulgings of the canvas walls of the tents. With this they are obliged to be content for a time, but just as we reach this end of the square two huge swaying elephants issue forth to take their afternoon stroll in company with their son, whose height is scarcely more than half that of his parents. The children have not waited in vain, and they gaze awe-struck at the furrowed sides of the slate-gray monsters as they are led, slowly padding their way, across the square. We watch them as they pass under the shadow of Holy Trinity Church, then out in the sunshine again they go lurching past the old-fashioned houses until they turn down Frenchgate and disappear, with the excited but respectful knot of children following close behind.
On one side of us is the King’s Head, whose steep tiled roof and square front has just that air of respectable importance that one expects to find in an old-established English hotel. It looks across the cobbled space to the curious block of buildings that seems to have been intended for a church but has relapsed into shops. The shouldering of secular buildings against the walls of churches is a sight so familiar in parts of France that this market-place has an almost Continental flavour, in keeping with the fact that Richmond grew up under the protection of the formidable castle built by that Alan Rufus of Brittany who was the Conqueror’s second cousin. The town ceased to be a possession of the Dukes of Brittany in the reign of Richard II., but there had evidently been sufficient time to allow French ideals to percolate into the minds of the men of Richmond, for how otherwise can we account for this strange familiarity of shops with a sacred building which is unheard of in any other English town? Where else can one find a pork-butcher’s shop inserted between the tower and the nave, or a tobacconist doing business in the aisle of a church? Even the lower parts of the tower have been given up to secular uses, so that one only realizes the existence of the church by keeping far enough away to see the sturdy pinnacled tower that rises above the desecrated lower portions of the building. In this tower hangs the curfew-bell, which is rung at 6 a.m. and 8 p.m., a custom, according to one writer, ‘that has continued ever since the time of William the Conqueror.’ The bell, we know, is not Norman, and the tower belongs to the Perpendicular period, but the church is referred to in Norman times, and Leland, writing in the reign of Henry VIII., suggests an earlier survival. He may, of course, be describing Norman grotesque carvings, but, on the other hand, he may be recording some relics of a more barbarous age when he writes: ‘There is a Chapel in Richemont Toune with straung Figures in the Waulles of it. The Peple there dreme that it was ons All the while we have been lingering in the market-place the great keep has been looking at us over some old red roofs, and urging us to go on at once to the finest sight that Richmond can offer, and, resisting the appeal no longer, we make our way down a narrow little street leading out to a walk that goes right round the castle cliffs at the base of the ivy-draped walls. If this walk were at Harrogate or Buxton, we can easily imagine that its charms would be vitiated by some evidences of a popular recognition of its attractiveness. There would be a strong ornamental iron railing on the exposed side of the path; there would probably be an automatic-machine waiting to supply a souvenir picture post-card of the view; there would be notices—most excellent where they are needed—requesting visitors not to throw paper or orange-peel anywhere but in the receptacle supplied; and, besides all this, there would, I have no doubt, be ornamental shrubberies, and here and there a few beds of flowers, kept with all the neatness of municipal horticulture. Such efforts would meet with some sort of response on the part of the public, and the castle walk would be sufficiently populous to prevent anyone from appreciating its charms. No; instead of all this we find a simple asphalt path without any fence at all. There are two or three seats that are perfectly welcome, but there is a delightful absence of shrubberies or flower-beds, and the notices to the public fixed to the castle walls are weathered and quite inconspicuous. Beyond all this, the castle walk is generally a place in which one can be alone, and yet ‘This is not solitude; ’tis but to hold From down below comes the sound of the river, ceaselessly chafing its rocky bottom and the big boulders that lie in the way. You can distinguish the hollow sound of the waters as they fall over ledges into deep pools, and you can watch the RICHMOND CASTLE FROM THE RIVER
Converse with Nature’s charms, and see those charms unfold.’