In the north aisle of the chancel there is a very unusual double staircase. It is recessed in the wall, and the arcading that runs along the aisle beneath the windows is inclined upwards and down again at a slight angle, similar to the rise of the steps which are behind the marble columns. This was the old way to the chapter-house, destroyed at the Dissolution, and is an extremely fine example of an Early English stairway. There are two medieval tombs surmounted by richly carved effigies to unknown people—one an ecclesiastic, and another, possibly, a merchant of note—both in an aisle of the great north transept; and in the Percy Chapel—a Perpendicular addition at the north-east corner of the chancel—stands the altar-tomb of the fourth Earl of Northumberland. This Earl was succeeded by Henry Percy, the fifth to hold the title, and the compiler of the ‘Household Book,’ mentioned in the next chapter in connexion with his great castle at Wressle, some twenty miles to the west. Near this chapel stands the ancient stone chair of sanctuary, or frith-stool. It has been broken and repaired with iron clamps, and the inscription upon it, recorded by Spelman, has gone. The privileges of sanctuary were limited by Henry VIII., and abolished in the reign of James I.; but before the Dissolution malefactors of all sorts and conditions, from esquires and gentlewomen down to chapmen and minstrels, frequently came in undignified haste to claim the security of St. John of Beverley. Here is a case quoted from the register by Mr. Charles Hiatt in his admirable account of the Minster:
‘John Spret, Gentilman, memorandum, that John Spret, of Barton upon Umber, in the counte of Lyncoln, gentilman, com to Beverlay, the first day of October the vii yer of the reen of Keing Herry vii and asked the lybertes of Saint John of Beverlay, for the dethe of John Welton, husbondman, of the same town, and knawleg [acknowledged] hymselff to be at the kyllyng of the saym John with a dagarth, the xv day of August.’
On entering the city we passed St. Mary’s, a beautiful Perpendicular church which is not eclipsed even by the major attractions of the Minster. At the west end there is a splendid Perpendicular window flanked by octagonal buttresses of a slightly earlier date, which are run up to a considerable height above the roof of the nave, the upper portions being made light and graceful, with an opening on each face, and a pierced parapet. The tower rises above the crossing, and is crowned by sixteen pinnacles. Its circular windows in the lower portion of the tower are filled with tracery, and are unusual in the period of its construction. The southern end of the transept receives additional support from the great flying buttresses, added by Pugin in 1856.
In its general appearance the large south porch is Perpendicular, like the greater part of the church, but the inner portion of its arch is Norman, and the outer is Early English. One of the pillars of the nave is ornamented just below the capital with five quaint little minstrels carved in stone. Each is supported by a bold bracket, and each is painted. The musical instruments are all much battered, but it can be seen that the centre figure, who is dressed as an alderman, had a harp, and the others a pipe, a lute, a drum, and a violin. From Saxon times there had existed in Beverley a guild of minstrels, a prosperous fraternity bound by regulations, which Poulson gives at length in his monumental work on Beverley. The minstrels played at aldermen’s feasts, at weddings, on market-days, and on all occasions when there was excuse for music. This ‘toune of Beverle,’ which Leland describes as being ‘large and welle buildid of wood,’ must have been a pleasant and exceptionally picturesque place to dwell in when we remember the old gateways, and replace the many dull buildings of to-day with such beautiful timber houses as those in the old streets of York. Above the curious gables rose the two stately churches, and if the minstrels were idle, no doubt the bells were filling the air with their music, telling of sorrow or gladness.
CHAPTER IV
ALONG THE HUMBER
Away with me in post to Ravenspurgh;
But if you faint, as fearing to do so,
Stay and be secret, and myself will go.’
Richard II., Act II., Scene 1.