You look northwards across the sunlit sea to the rocky heights hiding Port Mulgrave and Staithes, and on the further side of the bay you see tiny Runswick's red roofs, one above the other, on the face of the cliff. Here it is always cool and pleasant in the hottest weather, and from the broad shadows cast by the precipices above one can revel in the sunny land and sea-scapes without that fishy odour so unavoidable in the villages. When the sun is beginning to climb down the sky in the direction of Hinderwell, and everything is bathed in a glorious golden light, the ferryman will row you across the bay to Runswick, but a scramble over the rocks on the beach will be repaid by a closer view of the now half-filled-up Hob Hole. The fisher-folk believed this cave to be the home of a kindly-disposed fairy or hob, who seems to have been one of the slow-dying inhabitants of the world of mythology implicitly believed in by the Saxons. And these beliefs died so hard in these lonely Yorkshire villages that until recent times a mother would carry her child suffering from whooping-cough along the beach to the mouth of the cave. There she would call in a loud voice, 'Hob-hole Hob! my bairn's gotten t'kink cough. Tak't off, tak't off.' One can see the child's parents gazing fearfully into the black depths of the cavern, penetrating the cliff for 70 feet, and finally turning back to the village in the full belief that the hob would stay the disease.
The steep paths and flights of roughly-built steps that wind above and below the cottages are the only means of getting about in Runswick. The butcher's cart every Saturday penetrates into the centre of the village by the rough track which is all that is left of the good firm road from Hinderwell after it has climbed down the cliff. To this central position, close to the post-box, the householders come to buy their supply of meat for Sunday, having their purchases weighed on scales placed on the flap at the back of the cart. While the butcher is doing his thriving trade the postman arrives to collect letters from the pillar-box, Placing a small horn to his lips, he blows a blast to warn the villagers that the post is going, and, having waited for the last letter, climbs slowly up the steep pathway to Hinderwell.
Halfway up to the top he pauses and looks over the fruit-trees and the tiles and chimney-pots below him, to the bright blue waters of the bay, with Kettleness beyond, now all pink and red in the golden light of late afternoon. This scene is more suggestive of the Mediterranean than Yorkshire, for the blueness of the sea seems almost unnatural, and the golden greens of the pretty little gardens among the houses seem perhaps a trifle theatrical; but the fisher-folk play their parts too well, and there is nothing make-believe about the delicious bread-and-butter and the newly-baked cakes which accompany the tea awaiting us in a spotlessly clean cottage close by.
The same form of disaster which destroyed Kettleness village caused the complete ruin of Runswick in 1666, for one night, when some of the fisher-folk were holding a wake over a corpse, they had unmistakable warnings of an approaching landslip. The alarm was given, and the villagers, hurriedly leaving their cottages, saw the whole place slide downwards and become a mass of ruins. No lives were lost, but, as only one house remained standing, the poor fishermen were only saved from destitution by the sums of money collected for their relief.
Architecturally speaking, Hinderwell is a depressing village, and there is little to remember about the place except an extraordinary block of two or three shops, suitable only for a business street in a big city, but dumped right into the middle of this village of low cottages. The church is modern enough to be uninteresting, but in the graveyard St. Hilda's Well, from which the name Hinderwell is a corruption, may still be seen.
In 1603 there was a sudden and terrible outbreak of plague in the village. It only lasted from September 1 to November 10, but in that short time forty-nine people died. It seems that the infection was brought by some men from a 'Turkey ship' that had been stranded on the coast, but, strangely enough, the disease does not appear to have been carried into the other villages in the neighbourhood.
Scarcely two miles from Hinderwell is the fishing-hamlet of Staithes, wedged into the side of a deep and exceedingly picturesque beck. Here—and it is the same at Runswick—one is obliged to walk warily during the painter's season, for fear of either obstructing the view of the man behind the easel you have just passed, or out of regard for the feelings of some girls just in front. There are often no more chances of standing still in Staithes than may be enjoyed on a popular golf-links on a fine Saturday afternoon. These folk at Staithes do not disturb one with cries of 'Fore!' but with that blank Chinaman's stare which comes to anyone who paints in public.
The average artist is a being who is quite unable to recognise architectural merit. He sees everything to please him if the background of his group be sufficiently tumble-down and derelict. If this be incorrect, how could such swarms of artistic folk paint and actually lodge in Staithes? The steep road leading past the station drops down into the village, giving a glimpse of the beck crossed by its ramshackle wooden foot-bridge—the view one has been prepared for by guide-books and picture postcards. Lower down you enter the village street. Here the smell of fish comes out to greet you, and one would forgive the place this overflowing welcome if one were not so shocked at the dismal aspect of the houses on either side of the way. Many are of comparatively recent origin, others are quite new, and a few—a very few—are old; but none have any architectural pretensions or any claims to picturesqueness, and only a few have the neat and respectable look one is accustomed to expect after seeing Robin Hood's Bay.
Staithes had filled me with so much pleasant expectancy that my first walk down this street of dirty, ugly houses had brought me into a querulous frame of mind, and I wondered irritably why the women should all wear lilac-coloured bonnets, when a choice of colour is not difficult as far as calico is concerned. Those women who were in mourning had dyed theirs black, and these assorted well with the colour of the stone of many of the houses.