“Now round the galley fire the merry crew,
With song and yarn and best of cheer,
Have gathered. And storms may rage, and seas may rise,
And thunders roll; they know not fear.”
Anon.
Scene: A ship at sea, south of the Cape of Good Hope. A steamer evidently from her build, though the funnel has been lowered, and a gale of wind is roaring through her rigging, bellying out the few sails she is able to carry till it looks as though the cloth would bust. She is making heavy weather, dipping the ends of her long yards right into the water, and plunging so much, that at times neither her jib-boom nor bows are visible in the foam and spray. She must be shipping tons of water. Looking at her as we are now doing with the eye of imagination, it would seem there could be little else save discomfort on board of her. And the night, too, is closing around her dark and thick. The sea is very troubled, the waves are racing, brawling, foam-crested billows, lightning plays around the ship every now and then, and thunders hurtle in the air, the awful noise appearing to run along over the sea. But let us go on board of her.
Here are Kenneth and Archie. Neither is on duty. Kenneth’s watch will come on deck at midnight. Archie, who is engineer of this craft, may be called upon at any moment to stir up the banked fires and get up steam.
This is the ship in which Kenneth has been second mate for eighteen months, including the time he lay sick or roamed convalescent on the South American shore, where Archie found him. They have bidden farewell to that beautiful coast, which in some parts is so enchanting, with its wealth of vegetation, its grand old woods, its fruit trees, its flower-trees, its flowers themselves, the life and loveliness that teems everywhere on the earth, in the air, in the sea, on the little islands, green and feathery, that peep up here and there out of the blue, on mountain top, and even in its caves, that I feel sad as well as sorrowful. I cannot pause to describe it all.
But why should I? My descriptions, after all, would fall flat on the senses of the reader, even with the aid of the best of illustrations, for no artist can give colour and movement combined. Go, reader, and see the world for yourself if you feel so inclined, and if ever you have the chance, I can tell you from long experience it is a very beautiful one.
“Well,” said Kenneth, “we came up here, Archie, lad, to have a walk, but I don’t see much chance. What a night it is going to be! How black the sky! How vivid the lightning! How close the horizon is—”
The last part of Kenneth’s sentence was lost in a peal of thunder.
“Stand by! Jump, Archie. There is a comber.”
They both leapt on the top of the capstan as an immense green sea swept over the bows and came tearing aft, carrying everything movable before it.