Can you read that? The old-fashioned S's mix you up. It's straight modern Italian. I don't know what the ink's made of, but the skin's the real article—it's taken from just above the knee where a man can get at himself best. It runs this way, just like a "personal" in the Herald, only more so:
Prisoner on Prana Beach will share treasure with rescuing party. Come at once.
Isn't that just like an oil-well-in-the-South-west-Company's prospectus? "Only a little stock left; price of shares will be raised shortly to thirteen cents."
I bit. It was knowing what kind of skin the ad. was written on that got me. I'd seen cured human hide before. In Paris they've got a Constitution printed on some that was peeled off an aristocrat in the Revolution, and I've seen a seaman's upper arm and back, with the tattoos, in a bottle of alcohol in a museum on Fourteenth Street, New York—boys under fourteen not admitted. I wasn't a day over eight when I saw those tattoos. However....
To get that prisoner loose was the duty that I owed to humanity; to share the treasure was the duty that I owed to myself. So I got together some niggers, and the fancy craft I've described (on shares with a Singapore Dutchman, who was too fat to come himself, and too much married), and made a start.... You're bothered by my calling them niggers. Is that it? Well, the Mason and Dixon line ran plump through my father's house; but mother's room being in the south gable, I was born, as you may say, in the land of cotton, and consequently in my bright Southern lexicon the word nigger is defined as meaning anything black or brown. I think I said that Prana is on the west coast, and that may have misled you. But Africa isn't the only God-forsaken place that has a west coast; how about Staten Island?
Malaysian houses are built mostly of reed and thatch work standing in shallow water on bamboo stalks, highly inflammable and subject to alterations by a blunt pocket-knife. So a favorite device for holding a man prisoner is a hole in the ground too deep and sheer for him to climb out of. That's why I'd brought a length of knotted rope. The dynamite was instead of men, which we hadn't means to hire or transport, and who wouldn't have landed on that beach anyhow, unless drowned and washed up. Now dynamite wouldn't be a pleasant thing to have round your club or your favorite restaurant; but in some parts of the world it makes the best company. It will speak up for you on occasion louder than your best friend, and it gives you the feeling of being Jove with a handful of thunderbolts. My plan was to find in what settlement there was the most likely prisoner, drive the inhabitants off for two or three days—one blast would do that, I calculated (especially if preceded and followed by blowings on a pocket siren)—let my rope down into his well, lift the treasure with him, and get away with it.
This was a straight ahead job—except for the god. And in daylight it didn't seem as if It could be such an awful devil of a god. But It did have the deuce of a funny spoor, as I made haste to find out. The thing had five toes, like a man, which was a relief. But unlike nigger feet, the thumb toe and the index weren't spread. The thumb bent sharply inward, and mixed its pad mark with that of the index. Furthermore, though the impress of the toes was very deep (down-slanting like a man walking on tiptoe), the heel marks were also very deep, and between toe and heel marks there were no other marks at all. In other words, the thing's feet must have been arched like a croquet wicket. And It's heels were not rounded; they were perfectly round—absolute circles they were, about the diameter of the smallest sized cans in which Capstan tobacco is sold. If ever a wooden idol had stopped squatting and gone out for a stroll on a beach, it would have left just such a track. Only it might not have felt that it had to take such peculiarly long steps.
My knoll being near the south end of Prana Beach (pure patriotism I assure you), my village hunts must be to the northward. I had one good hunt, the first day, and I got near some sort of a village, a jungle one built over a pool, as I found afterward. The reason I gave up looking that day was because the god got between me and where I was trying to get; burst out humming, you might say, right in my face, though I couldn't see It, and directly I had turned and was tiptoeing quietly away (I remember how the tree trunks looked like teeth in a comb, or the nearest railroad ties from the window of an express train), It set up the most passionate, vindictive, triumphant vocal fireworks ever heard out of hell. It made black noises like Niagara Falls, and white noises higher than Pike's Peak. It made leaps, lighting on tones as a carpenter's hammer lights on nails. It ran up and down the major and minor diatonics, up and down the chromatic, with the speed and fury of a typhoon, and the attention to detail of Paderewski—at his best, when he makes the women faint—and with the power and volume of a church organ with all the stops pulled out. It shook and It trilled and It quavered, and It gargled as if It had a barrel of glycothermoline in It's mouth and had been exposed to diphtheria, and It finished—just as I tripped on a snake and fell—with a round bar of high C sound, that lasted a good minute (or until I was a quarter of a mile beyond where I had fallen), and was the color of butter, and could have been cut with a knife. And It stopped short—biff—just as if It had been chopped off.