Wilmot Allen nodded eagerly. "She will," he said. "She is doing a head. It's far from finished; but even now, in the rough state, it's quite the most exceptional inspired thing you ever saw. She will exhibit it and become famous overnight. I can't bet much--as you may perhaps suspect--but I'll bet all I've got. And of course, once she gets recognition and everybody begins to kow-tow to her--why, good-by, Barbara."
"Still," said Dr. Ferris, "if she's developing a real talent, I don't know that I ought to stand in her way. And, besides, we've fought that all out, and," he laughed grimly, "I took my licking like a man."
"Of course," said Allen. "When a girl that ought to go in for marriage and that sort of thing takes to being talented--I call it a tragedy. But, passing that, the model for the head she's doing isn't a proper person. That's what I'm driving at. He's one of the wickedest and most unscrupulous persons in the world. Barbara ought not to speak to him, let alone give him the run of her studio and hobnob with him same as with one of her friends. He's a man too busy with villainy to sit as a model for the fun of sitting. The pay doesn't interest him. And if he shows up every morning at nine and stays all morning, it's only because he's got an axe to grind. He talks. He lays down the law. He appeals to Barbara's mind and imagination; and it's all rather horrible--one of those poison snakes that look like an old rubber boot, and a bird all prettiness, bright colors, innocence, and admiration of how the world is made. Look at it in this way. She makes a great hit with the bust. Who's responsible? Well, the creature that supplied the inspiration, largely. She'll feel gratitude. He'll take advantage of anything that comes his way. And frankly, Dr. Ferris, I may be making a mountain out of a mole-hill, but I'm worried to death. Suppose I told you that, say, Duane Carter spent hours every day in Barbara's studio?"
Dr. Ferris jumped to his feet, white with anger. "Do you mean to tell me that my daughter is friendly with that person?"
"Oh, no," said Allen calmly. "I think Barbara's new friend is a very much more dangerous person for her to know. Whatever Duane Carter is he wouldn't dare. This other man--"
"Look here, Wilmot"--Dr. Ferris began to pace the room in considerable agitation--"you're an old friend of Barbara's. Is friendliness at the root of your worry, or is it some other feeling, not so disinterested as friendship?"
Wilmot Allen rose to his full height, and Dr. Ferris paused in his pacings. They faced each other.
"If I was any good," said the young man slowly, "if I had any money, if Barbara would have me, I'd marry her to-morrow. But I'm not any good--never was. I haven't any money, hardly ever have had, and Barbara would no more have me of her own free will than she'd take a hammer and smash the bust she's making. So much for motives. Have I disposed of jealousy?"
Dr. Ferris nodded.
"The man," said Allen, "isn't a man. He's a gutter-dog, a gargoyle, half a man. And his position in the city--in the whole country, I think--is so fortified that with the best will in the world the law cannot touch him. Duane Carter--well, he's been a gay boy with the ladies--a bad man if you like--but at least he is not accused by gossip of murder, arson, abduction, and crimes infinitely worse than these. He may have beguiled women, but at least his worst enemy would never suppose that he had trafficked in them. Barbara's model is all the things that you can imagine. And all of them are written in his horrible face. To see them together, friendly, reparteeing, chummy, would turn your stomach--Barbara so exquisite and high-born, and the man, his eyes full of evil fires, sitting like a great toad on the model's chair. And at that--good God, you might stand it, if he was a whole man! But he isn't. It's horrible! He has no legs--and you want to stamp on him till he's dead."