"Indeed I do not; there is much more pleasure to me in watching such a scene, than a similar one of adults. It is full of that kind of poetry, which, from the beauty and freshness of the present, creates a future of happiness or sorrow, good or evil, as something in each countenance seems dimly to foretell. How many will be the longing thoughts thrown back in after years upon to-night!"
"Do you think then childhood the happiest season of life?"
He answered in the affirmative, but Mr. Hamilton shook his head.
"I differ from you, my good friend," he said. "Childhood feels its griefs as bitterly as those of maturer years. We are apt to think it was all joy in the retrospect, perhaps because it has not the anxiety and cares of riper years, but sorrow itself is felt as keenly. From reason not being perfectly formed, the difficulty to control self-will, to acquiesce in the, to them, incomprehensible wishes of parents or guardians, the restraint they are often compelled to use, must be all trials even to well-regulated children, and to those subject to the caprices of weakness, indolence, neglect, indulgence at one time, and tyranny at another, feelings disbelieved in, and therefore never studied or soothed—the little heart thrown back upon itself—Morton, believe me, these are trials as full of suffering, and as hard to be endured, as those which belong to manhood."
"You may be right," replied Morton; "but do you not think there is an elasticity in childhood which flings off sorrow, and can realize happiness sooner than older years?"
"Undoubtedly, and most happy it is that they are so constituted, else what would become of them if their susceptibilities for either joy or sorrow are equally quick. If the former did not balance the latter, how would their tender frames and quick affections bear their burden? The idea that childhood is in itself the happiest season in life is so far mischievous, that it prevents the necessary care and watchfulness, which alone can make it so. But we must not philosophize any more, for it has made us all grave. I see my wife is addressing Miss Grahame, and I think it is for music. Come, Morton, take Mrs. Greville to the music-room, and woo melody instead of poetry for the next half hour. Miss Grahame promises to be a very fair musician, so you will be charmed."
They adjourned to the music-room, where Percy had already gallantly conducted Annie, and several of the guests, young and old, seconded the move: Annie Grahame really played remarkably well, so far as execution and brilliancy were concerned, and Mrs. Hamilton was delighted at the expression of Grahame's face as he listened to his child and the applause she excited. "Why will he not try to win his home-affections," she thought, "when he is so formed to enjoy them? and why, why has Helen so indolently, so foolishly cast away her happiness?" was the thought that followed at the contrast which Lady Helen's face presented to her husband's; she knew Annie played well, she had heard it from very superior judges, and how could it concern her what the present company thought?
A very pretty vocal duet from the two sisters followed, and soon afterward Caroline approached the music-stand, near which Percy and Mr. Morton were talking, and Percy, with his usual love of provoking, exclaimed—
"You surely are not going to play after Miss Grahame, Caroline. If your powers deserted you a few hours ago, and prevented the execution of a waltz, they would certainly do you a charity in deserting you completely now."
Caroline's cheek burned, but she answered, with spirit—