The silent pressure of Annie’s hand was sufficient guarantee for Lady Emily that her confidence had not been misplaced; and she was happier, for she no longer feared that, misunderstanding, Annie would at length shrink from her.
We will not linger with our travellers while en route. They visited all of interest in Naples and Rome, and resolved on passing the winter at Florence. Many weeks had passed in their delightful tour; Annie’s health was decidedly renovated; but there were still times when her spirits seemed to sink beneath a weight of depression for which neither of her relatives could account. Each month that passed diminished the time specified by Annie as the term of mourning, and yet Lord St. Clair vainly tried to rejoice; he saw that, instead of decreasing, the memory of Reginald became stronger—that the extraordinary impression made by the superscription of the letter would remain—and ardently he wished that Annie had followed her impulse, and opened it ere it was sent on. He never spoke of love, he never recalled her promise, and Annie so blessed him for his forbearance that, could she but have realized the universal belief in the death of Reginald, she would at once have given him her hand, glad to exchange the torturing doubts which engrossed her for the tranquil calm which must, she thought, attend devotion to one who so nobly proved the love he bore herself.
The many interesting works of ancient art in Florence, so riveted the attention and occupied the time of our English travellers, that the one subject engrossing the whole attention of the Florentines was for some little time unheeded. The town was full of the unrivalled success of a young sculptor, who had burst into fame, no one knew how or where. He had been studying the last two years, amidst the superb specimens of art, in the galleries of Florence, but so silently, so unassumingly, that he was only known as famous. His copies of Canova and other celebrated sculptors had been pronounced perfect by able judges; but it was not till he had completed an original group that he at all seemed to sue for notice, and when that did appear, the easily-excited Italians received it with such universal admiration, that the unknown artist was sought for on all sides, courted, flattered, and, better far, appreciated by those whose opinions were of value. Italy is indeed the country where talent may rise to eminence, fostered and cherished by the encouragement for which it so thirsts. In this case, however, the interest excited originally by genius was heightened by the reserved manners of the young sculptor, who rather shrunk from than courted notice, except from the Italians themselves. It was rarely an English soirée could obtain the favour of his presence. His appearance and name declared him Spanish, a supposition which, as he never contradicted it, gained universal belief. That he spoke English, French, and Italian as fluently as Spanish, and was intimately acquainted with their literature, only proved that his mental capabilities were not confined merely to his art. How he found time to execute all the orders for busts, ornamental groups, etc., which he received, was a mystery to the idler, and a wonder even to the brethren of his craft, greatly heightened when his first original group appeared. It was not alone the execution, but the daring boldness of his subject which had occasioned such universal notice. Boldly leaving the beaten path of classic subjects, his group, though consisting only of three figures, embodied a striking incident in the earliest stage of the French revolution. A young and beautiful girl had flung herself before an aged parent, clasping his neck with one hand, and by the attitude of the other, combined with the expression of the face, was evidently imploring life for him, even by the sacrifice of her own. On the touching and, to the Italian eye, somewhat peculiar beauty of the face, the matchless grace of the attitude, and exquisitely modelled limbs, the sculptor appeared to have lingered till he had out-done himself. The countenance of the father breathed but admiring love for the heroic being whom his arm encircled, as if every thought centred in her, to the total exclusion of all terror for himself. Before them, in a crouching attitude, as in the act of filling a goblet with the loathsome fluid which deluged the streets, was a half-naked form, whose ruffian features and muscular limbs contrasted well with the graceful beauty and nobleness of form in the other figures. The head was upraised, a withering sneer upon the lips, a combination of triumph and barbarity on the whole countenance, which so explained the tale it recorded, that, as an animated Italian told Lord St. Clair, the heart of the gazers throbbed, and the cheek paled, as if life itself were before them. It stood in an apartment of the Palazzo Vecchio, where he entreated his English friends to go and see it. “I will not only see this wonderful group, but make acquaintance with its artist,” he replied; “for, after hearing all this, know him I will.”
“That you will find some difficulty in doing,” was the rejoinder. “He shrinks from all you English; besides, he is, I believe, now at Bologna, and his return is uncertain.”
“Never mind, trust me for making acquaintance with this lion, shy though he be.”
“There is but one fault in his female figure,” observed a gentleman who had joined the group, and was greeted with much warmth by Lord St. Clair, “a fault which we English ought to consider a virtue, but yet is in contradiction to Signor Castellan’s apparent reserve towards our countrymen. The beauty of the female is too English for a French incident and purely French characters. It is very lovely, I grant, but the loveliness is our own.”
The observation naturally produced a warm discussion, which ended as most discussions do, in each party retaining his own opinion, and Lord St. Clair taking his newly-found old friend home with him, introduced him to Lady Emily and Annie.
“And are you settled down at last, Kenrich, tired of wanderings and adventures? though last time I heard of you, you were actually enjoying the wars and cabals of Madrid.”
“I am not very sober yet, St. Clair; but I was fool enough to join the Carlists three or four years ago, and their barbarity to my own countrymen so sickened me of war, that I threw up my commission, and have never drawn sword since.”
“What barbarity?” asked Lord St. Clair, catching almost by instinct more than look the expression of Annie’s face.