An Englishwoman in Angora
CHAPTER I
ON BOARD THE “PIERRE LOTI”—TURKEY’S DEBT TO LOTI’S MAGIC PEN
Over a sea as smooth as ice, the sun shining brightly most of the way, the Messageries Maritimes steamer Pierre Loti is carrying us to Smyrna. Ten years ago, to a beaten Turkey (unable, it was supposed, to face an enemy for years to come), I had taken the same trip. And now, despite the prophets, I am returning to a victorious people; doubly victorious, since all the odds were against them.
“That is the kind of story I love,” I remarked to the sympathetic captain and his daughter, with whom I generally lunched as guest in their own cabin. They, indeed, were particularly interested in my adventure, for they knew the Near East well, and this was to be their last visit. Because he had just reached the age limit of those who ‘go down to the sea in ships,’ though it was only when you caught the word ‘papa’ upon his daughter’s lips that anyone would suspect the fact.
So they are blessed who marry young!
“It seems strange,” I told him one morning, “to be here—on board the Pierre Loti, and surely a presage of good luck, since his books have done so much to increase and widen my inborn sympathies with the East.”
Still more strange it proved; since the captain himself had named the ship for his admiration of the great French writer and in memory of personal friendship between them. A rare literary association for a steamer once in the service of the Czars. Wherefore, also, I found the master’s works in the ship’s library, and could renew acquaintance with many an old favourite: “Ramuntcho,” “Matelot,” “Ispahan,” “Les Pêcheurs d’Islande” and the “Désenchantées.”
The captain told me of his visit to Rochefort, and I told him how Antoine went to the same house for final instructions upon the staging of “Ramuntcho,” which, however, did not prove a success. How, indeed, could anyone think of dramatising Pierre Loti, whether in prose or verse? He gives us neither psychology nor dramatic incident. I can only suppose that Antoine permitted them to be produced—to show once for all that the thing could not be done; a hard lesson for the master!