There may have before been coronations surpassing that of Victoria in scenic splendor, if not in solid magnificence-that of the first Napoleon and his Empress, perhaps-but there has been nothing so grand as a royal pageant seen since, until the crowning of the present Russian Emperor at Moscow, where the almost intolerable splendor was seen against a dark background of tragic possibilities. This English coronation was less brilliant, perhaps, but also less barbaric than that august, overpowering ceremony over which it seemed there might hover "perturbed spirits" of men slain in mad revolts against tyranny—of youths and women done to death on the red scaffold, in dungeons, in midnight mines, and Siberian snows; and about which there surely lurked the fiends of dynamite. But this pure young girl, trusting implicitly in the loving loyalty of her subjects—relying on Heaven for help and guidance, lifted to the throne by the Constitution and the will of a free people, as conquerors have been upborne on shields, what had she to fear? A very different and un- nihilistic "cloud of witnesses" was hers, we may believe. If ever there was a mortal state-occasion for the immortals to be abroad, it was this.
The great procession started from Buckingham Palace at about 10 o'clock. The first two state carriages, each drawn by six horses, held the Duchess of Kent and her attendants. The Queen's mother, regally attired, was enthusiastically cheered all along the way. The Queen was, of course, in the grand state coach, which is mostly gilding and glass—a prodigiously imposing affair. It was drawn by eight cream-colored horses—great stately creatures—with white flowing manes, and tails like mountain cascades. Many battalions and military bands were stationed along the line, presenting arms and playing the National Anthem, "And the People, O the People!" Every window, balcony, and door-step was swarming, every foot of standing room occupied—even on roofs and chimneys. Ladies and children waved handkerchiefs and dropped flowers from balconies, and the shouts from below and the shouts from above seemed to meet and break into joyous storm-bursts in the air. Accounts state that Her Majesty "looked exceedingly well, and that she seemed in excellent spirits, and highly delighted with the imposing scene and the enthusiasm of her subjects." One would think she might have been.
She had a great deal to go through with that day. She must have rehearsed well, or she would have been confused by the multiform ceremonials of that grand spectacular performance. The scene, as she entered Westminster Abbey, might well have startled her out of her serene calm, but it didn't. On each side of the nave, reaching from the western door to the organ screen, were the galleries, erected for the spectators. These were all covered with crimson cloth fringed with gold. Underneath them were lines of foot-guards, very martial-looking, fellows. The old stone floor, worn with the tread of Kings' coronations and funeral processions, was covered with matting, and purple and crimson cloth. Immediately under the central tower of the Abbey, inside the choir, five steps from the floor, on a carpet of purple and gold, was a platform covered with cloth of gold, and on it was the golden "Chair of Homage." Within the chancel, near the altar, stood the stiff, quaint old chair in I which all the sovereigns of England since Edward the Confessor have been crowned. Cloth of gold quite concealed the "chunk of old red sandstone," called the "stone of Scone," on which the ancient Scottish Kings were crowned, and which the English seem to keep and use for luck. There were galleries on galleries upholstered in crimson cloth, and splendid tapestries, wherein sat members of Parliament and foreign Princes and Embassadors. In the organ loft were singers in white, and instrumental performers in scarlet —all looking very fine and festive; and up very high was a band of trumpeters, whose music, pealing over the heads of the people, produced, at times, a wonderful effect.
Fashionable people had got up early for once. Many were at the Abbey doors long before 5 o'clock, and when the Queen arrived at 11:30, hundreds of delicate ladies in full evening-dress, had been waiting for her for seven long hours. The foreign Princes and Embassadors were in gorgeous costumes; and there was the Lord Mayor in all his glory, blinding to behold. His most formidable rival was Prince Esterhazy, who sparkled with costly jewels from his head down to his boots-looking as though he had been snowed upon with pearls, and had also been caught out in a rain of diamonds, and had come in dripping. All these grand personages and the Peers and Peeresses were so placed as to have a perfect view of the part of the minster in which the coronation took place-called, in the programme, "the Theatre."
The Queen came in about the middle of the splendid procession. In her royal robe of crimson velvet, furred with ermine, and trimmed with gold lace, wearing the collars of her orders, and on her head a circlet of gold-her immense train borne by eight very noble young ladies, she is said to have looked "truly royal," though so young, and only four feet eight inches in height. As she entered the Abbey, the orchestra and choir broke out into the National Anthem. They performed bravely, but were scarcely heard for the mighty cheers which went up from the great assembly, making the old minster resound in all its aisles and arches and ancient chapels. Then, as she advanced slowly towards the choir, the anthem, "I was glad" was sung, and after that, the sweet-voiced choir-boys of Westminster chanted like so many white-gowned, sleek-headed angels, "Vivat Victoria Regina!" Ah, then she felt very solemnly that she was Queen; and moving softly to a chair placed between the Chair of Homage and the altar, she knelt down on the "faldstool" before it, and meekly said her prayers.
When the boys had finished their glad anthem, the Archbishop of Canterbury, with several high officers of state, moved to the east side of the theatre, when the Primate, in a loud voice, said: "I here present unto you Queen Victoria, the undoubted Queen of this realm, wherefore all you who are come this day to your homage, are you willing to do the same?"
It seems a little confused, but the people understood it, and shouted, "God save Queen Victoria!" This "recognition," as it was called, was repeated at the south, west, and north sides of the "theatre," and every time was answered by that joyous shout, and by the pealing of trumpets and the beating of drums. The Queen stood throughout this ceremony, each time turning her head towards the point from which the recognition came.
One may almost wonder if all those loyal shouts and triumphant trumpetings and drum-beatings did not trouble somewhat the long quiet of death in the dusky old chapels in which sleep the fair Queen Eleanor, and the gracious Philippa, and valiant Elizabeth, and hapless Mary Stuart.
Then followed a great many curious rites and ceremonies of receiving and presenting offerings; and many prayers and the reading of the Litany, and the preaching of the sermon, in which the poor Queen was exhorted to "follow in the footsteps of her predecessor"—which would have been to walk "sailor-fashion" morally. Then came the administration of the oath. After having been catechised by the Archbishop in regard to the Established Church, Her Majesty was conducted to the altar, where kneeling, and laying her hand on the Gospels in the great Bible, she said, in clear tones, silvery yet solemn: "The things which I have here before promised, I will perform and keep. So help me God!"
She then kissed the book, and after that the hymn, "Come, Holy Ghost, our souls inspire" was sung by the choir, the Queen still kneeling.