Another American artist, Mr. Leslie, painted a large picture of the coronation, which Her Majesty purchased. As he was to paint the scene, he was provided with a very good seat near the throne—so near that he said he could plainly see, when she came to sign her coronation oath, that she wrote a large, bold hand, doing credit to her old writing master, Mr. Steward.
In his recollections he says: "I don't know why, but the first sight of her in her robes of state brought tears into my eyes, and it had this effect upon many people; she looked almost like a child." Campbell, the poet, is related to have said to a friend: "I was at Her Majesty's coronation in Westminster Abbey, and she conducted herself so well during the long and fatiguing ceremony that I shed tears many times."
Carlyle said at the time, with a shake of his craggy, shaggy head: "Poor little Queen! she is at an age at which a girl can hardly be trusted to choose a bonnet for herself, yet a task is laid upon her from which an archangel might shrink.":
And yet, according to Earl Russell, this "poor little Queen," over whom the painters and poets wept, and the great critic "roared gently" his lofty commiseration, informed her anxious mother that she "ascended the throne without alarm." Victoria, if reminded of this in later years, might have said, "They who know nothing, fear nothing"; and yet the very vagueness, as well as vastness, of the untried life would have appalled many spirits.
The Queen was certainly a very valiant little woman, but there would have been something unnatural, almost uncanny, about her had the regal calm and religious seriousness which marked her mien during those imposing rites, continued indefinitely, and it is right pleasant to read in the reminiscences of Leslie, how the child in her broke out when all the magnificent but tiresome parade, all the grand stage-business with those heavy actors, was over. The painter says: "She is very fond of dogs, and has one favorite little spaniel, who is always on the lookout for her return when she is from home. She had, of course, been separated from him on that day longer than usual, and when the state-coach drove up to the Palace steps she heard him barking joyously in the hall, and exclaimed, 'There's Dash,' and was in a hurry to doff her crown and royal robe, and lay down the sceptre and the orb, which she carried in her hands, and go and give Dash his bath."
I hope this story is literally true, for I have a strong impression that it was this peculiar love of pets, this sense of companionship with intelligent, affectionate animals, especially dogs and horses, that with an ever-fresh delight in riding and dancing, healthful sports and merry games, was the salvation of the young Queen. Without such vents, the mighty responsibility of her dizzy position, the grandeur, the dignity, the decorum, the awful etiquette would have killed her—or at least, puffed her up with pride, or petrified her with formality. Sir John Campbell wrote of her at this time: "She is as merry and playful as a kitten."—I hope she loved kittens! Again he says: "The Queen was in great spirits, and danced with more than usual gaiety, a romping, country-dance, called the Tempest."
In addition to this girlish gaiety, Victoria seems always to have had a vein of un-Guelph-like humor, a keen sense of the ludicrous, a delicious enjoyment of fun, which are among Heaven's choicest blessings to poor mortals, royal or republican. Prince Albert's sympathy with her love of innocent amusement, and her delight in the absurdities and drolleries of animal as well as of human life and character, was one and perhaps not the weakest of the ties which bound her to him.
With the young Queen equestrian exercise was more than a pastime, it was almost a passion. She rode remarkably well, and in her gratitude for this beautiful accomplishment,—rarer even in England than people think—she wished as soon as she came to the throne, to give her riding-master, Fozard, a suitable position near her person, something higher than that of a groom. She was told that there was no situation vacant that he could fill. "Then I will create one," she said, and dubbed him "Her Majesty's Stirrup holder." I would have done more for him—made him Master of the Horse, in place of Lord Albemarle, who always rolled along in the royal carriage, or created for him the office of Lord High Equerry of the Realm.
N. P. Willis, in his delightful "Pencilings By the Way," gives a bright glimpse of the Queen on horseback. It was in Hyde Park, and he saye the party from the Palace came on so fast that the scarlet-coated outriders had difficulty in clearing the track of the other equestrians. Her Majesty has always liked to go fast by horse or steam-power, as though determined not to let Time get ahead of her, for all his wings.
The poet then adds: "Her Majesty rides quite fearlessly and securely. I met her party full gallop near the centre of Rotten Row. On came the Queen, on a dun-colored, highly-groomed horse, with her Prime Minister on one side of her, and Lord Byron on the other; her cortège of Maids of Honor, and Lords and Ladies of the Court checking their spirited horses, and preserving always a slight distance between themselves and Her Majesty. … Victoria's round, plump figure looks exceedingly well in her dark green riding-dress. … She rode with her mouth open, and seemed exhilarated with pleasure."