Before ascending to the dome, we wandered about for some time in the nave and transept, examining with much interest the monuments, statues, and tablets, erected in honor of celebrated English poets, artists, soldiers, naval heroes, and statesmen, and seeking out the famous epitaph of the noble architect, and the great and good man, Sir Christopher Wren. This is in Latin, but translated, reads thus:—

"Beneath lies Christopher Wren, the architect of this church and city, who lived more than ninety years, not for himself alone, but for the public. Reader, do you seek his monument? look around!"

About the interior of the dome are a series of pictures, illustrating the life of St. Paul. An incident occurred during the painting of these which I will relate, as a remarkable instance of presence of mind. The artist, Sir James Thornhill, painted standing on a scaffold, erected of course at a great height from the ground. This scaffold was securely built, but not protected by any railing. One day, while fortunately a friend was with him watching him at his work—having just finished the head of one of the apostles, he forgot where he was, and with his hand over his eyes, stepped hastily backward, to see how the picture would look from a distance. In a moment he stood on the very edge of the platform; another step—another inch backward were certain death! His friend dared not speak, for fear of startling him; but catching up a large brush, he dashed it over the face of the apostle, smearing the picture shockingly. Sir James sprang forward instantly, crying out:

"Bless my soul! what have you done?" "I have saved your life," replied his friend, calmly. For the next moment the two stood face to face, very pale and still, but thanking God fervently in their full, loud-beating hearts.

Within the dome is "The Whispering Gallery." This is surely very curious; the least whisper breathed against the wall at a certain point, being distinctly heard on the opposite side of the gallery, or making the entire inner circle of the great dome. After a long, weary ascent of very dirty and dark staircases, we reached the cupola, and great London and its environs lay beneath us! Oh, what a wide and wonderful view was that! It was almost overwhelming—and so bewildered me at first, that I could not clearly make out any thing. But soon that dizziness of astonishment passed away, and I began to recognize, one after another, places and buildings that had grown familiar to me. There was Hyde Park, looking at that distance like a plantation of young trees; there was Buckingham Palace, the new palace of Westminster, and the grand old Abbey. I could see the flash of the fountains in Trafalgar Square, and trace the silver winding of the Thames, through miles on miles of docks and warehouses, under dark bridges, past darker prisons, far up into the green and smiling country, and far down toward the blue and shining sea. There was the Tower, which, though not a dark or dilapidated building, always has a guilty, gloomy look,—after you know what it is. There was the Monument, towering toward the sky, in memory of the great conflagration in London, when, where those magnificent buildings now stand, were piles and masses of fire—and great flames going up in red columns, to heaven.

Brightly shone the sun on hundreds of spires and domes, cheerily lighting up all that vast scene beneath us; the wide, elegant streets, open squares and parks of the town, and the busy crowded streets and narrow lanes of the city. The kindly rays fell just as warmly and clearly into the dark and damp courts of the miserable parish of St. Giles, as on to the noble terraces and into the palace gardens of fashionable West End. Oh, the beautiful sunshine! God's manna of light—falling for the poor as well as for the rich.

While standing on that lofty balcony, I could but faintly hear that great noise of business and travel, which roars along London streets, without ceasing day or night. It was like being at the summit of a high rock, on the sea-shore, where the hoarse sound of the great waves comes up to your ear, softened to a low, deep murmur.

"Old St. Paul's," upon the site of which this noble cathedral now stands, was burned in the fire of 1660. Among the great men buried in "Old St. Paul's," was Sir Philip Sidney, the most brilliant, and the best man of Queen Elizabeth's court. Let me tell you more about him.

STORY OF SIR PHILIP SIDNEY.

Philip Sidney was born in November, 1554. He was the son of Sir Henry Sidney, the dear friend of the amiable young King Edward VI., who died in his arms, and of the Lady Mary, only daughter of the ambitious and unfortunate Duke of Northumberland.