The City of Fire

by Grace Livingston Hill

“Indeed you won't, Billy Gaston. You just drink that every drop. I'll get you another bottle to take with you. I got extra last night 'count of Mark being home, and then he didn't drink it. He always likes a drink of milk last thing before he goes to bed.”

She vanished and returned with a quart of milk cold off the ice. She wrapped it well with newspapers, and Billy packed it safely into the little basket on his wheel. Then he bethought him of another need.

“Say, m'y I go inta the g'rage an' get a screw driver? Screw loose on m'wheel.”

She nodded and he vanished into the open barn door. Well he knew where Mark kept his tools. He picked out a small pointed saw, a neat little auger and a file and stowed them hurriedly under the milk bottle. Thus reinforced without and within, he mounted his faithful steed and sped away to the hills.

The morning sun had shot up several degrees during his delay, and Sabbath Valley lay like a thing new born in its glory. On the belfry a purple dove sat glistening, green and gold ripples on her neck, turning her head proudly from side to side as Billy rode by, and when he topped the first hill across the valley the bells rang out six sweet strokes as if to remind him that Sunday School was not far off and he must hurry back. But Billy was trying to think how he should get into that locked house, and wondering whether the kidnappers would have returned to feed their captive yet. He realized that he must be wary, although his instinct told him that they would wait for dark, besides, he had hopes that they might have been “pinched.”

Nevertheless he approached the old house cautiously, skirting the mountain to avoid Pleasant Valley, and walking a mile or two through thick undergrowth, sometimes with difficulty propelling the faithful machine.

Arrived in sight he studied the surroundings carefully, harbored his wheel where it would not be discovered and was yet easily available, and after reconnoitering stole out of covert.

The house stood gaunt and grim against the smiling morning. Its shuttered windows giving an expression of blindness or the repellant mask of death. A dead house, that was what it was. Its doors and windows closed on the tragedy that had been enacted within its massive stone walls. It seemed more like a fortress than a house where warm human faces had once looked forth, and where laughter and pleasant words had once sounded out. To pass it had always stirred a sense of mystery and weirdness. To approach it thus with the intention of entering to find that still limp figure of a man gave a most overpowering sense of awe. Billy looked up with wide eyes, the deep shadows under them standing out in the clear light of the morning and giving him a strangely old aspect as if he had jumped over at least ten years during the night. Warily he circled the house, keeping close to the shrubbery at first and listening as a squirrel might have done, then gradually drawing nearer. He noticed that the down stairs shutters were solid iron with a little half moon peep hole at the top. Those upstairs were solid below and fitted with slats above, but the slats were closed of all the front windows, and all but two of the back ones, which were turned upward so that one could not see the glass. The doors, both back and front, were locked, and unshakable, of solid oak and very thick. A Yale lock with a new look gave all entrance at the front an impossible look. The back door was equally impregnable unless he set to work with his auger and saw and took out a heavy oak panel.

He got down to the ground and began to examine the cellar windows. They seemed to be fitted with iron bars set into the solid masonry. He went all around the house and found each one unshakable, until he reached the last at the back. There he found a bit of stone cracked and loosened and it gave him an idea. He set to work with his few tools, and finally succeeded in loosening one rusted bar. He was much hindered in his work by the necessity of keeping a constant watch out, and by his attempts to be quiet. There was no telling when Link and Shorty might come to feed their captive and he must not be discovered.

It was slow work picking away at the stone, filing away at the rusty iron, but the bars were so close together that three must be removed before he could hope to crawl through, and even then he might be able to get no further than the cellar. The guy that fixed this house up for a prison knew what he was about.