But her smile was like the mixing of all smiles, a baby's, a woman-of-the-world, a grieved child's, and a spirit who had put aside all moral purpose. Perhaps, like mixed drinks it was for that reason but the more intoxicating. And because she did not hide her charms and was lavish with her smiles, there were more poor victims about her little feet than about any other woman at the shore that summer. Men talked about her in the smoking rooms and billiard rooms and compared her to vamps of other seasons, and decided she had left them all in the shade. She was a perfect production of the modern age, more perfect than others because she knew how to do the boldest things with that cherubic air that bereft sin of its natural ugliness and made it beautiful and delicious, as if degradation had suddenly become an exalted thing, like some of the old rites in a Pagan Temple, and she a lovely priestess. And when each new folly was over there was she with her innocent baby air, and her pure childlike face that looked dreamily out from its frame of little girl hair, and seemed not to have been soiled at all. And so men who played her games lost their sense of sin and fell that much lower than those who sin and know it and are afraid to look themselves in the face. When a man loses his sense of shame, of being among the pigs, he is in a far country indeed.
But Opal Verrons sauntering forth to the Hotel piazza in company with three of her quondam admirers suddenly lost her luxurious air of nestling content. The hotel clerk handed her two telegrams as she passed the desk. She tore them open carelessly, but her eyes grew wide with horror as she read.
Percy Emerson had been arrested. He had run over a woman and a baby and both were in a hospital in a critical condition. He would be held without bail until it was seen whether they lived.
She drew in her breath with a frightened gasp and bit at her red lip with her little sharp teeth. A pretty child with floating curls and dainty apparel ran laughing across her way, its hand outstretched to a tiny white dog that was dancing after her, and Opal gave a sharp cry and tore the telegram into small bits. But when she opened the second message her face paled under its delicate rouge as she read: “Mortimer McMarter killed in an accident when his car collided with a truck. His body lies at Saybrook Inn. We find your address on his person, with a request to let you know if anything happens to him. What do you wish done with the body?”
Those who watched her face as she read say that it took on an ashen color and she looked years older. Her real spirit seemed to be looking forth from those wide limpid eyes for an instant, the spirit of a coward who had been fooling the world; the spirit of a lost soul who had grown old in sin; the spirit of a soul who had stepped over the bounds and sinned beyond her depth.
She looked about upon them all, stricken, appalled,—not sorry but just afraid,—and not for her friends, but for herself! And then she gave a horrid little lost laugh and dropping the telegram as if it had burned her, she flung out her voice upon them with a blaze in her big eyes and a snarl in her lute-voice:
“Well, I wasn't to blame was I? They all were grown men, weren't they? It was up to them. I'm going to get out of here! This is an awful place!”
She gave a shudder and turning swiftly fled to the elevator, catching it just as the door was being shut, and they saw her rising behind the black and gold grating and waving a mocking little white hand at them as they watched her amazed. Then one of them stooped and picked up the telegram. And while they still stood at the doorway wondering some one pointed to a brilliant blue car that was sliding down the avenue across the beach road.
“She has gone!” they said looking at one another strangely. Did she really care then?