The Twenty-Fourth of June: Midsummer's Day

by Grace S. Richmond

Her firm hand on Olivia's arm, her bracing words in Olivia's ear, put courage back into her temporarily stage-struck "leading man," and Olivia returned to the charge determined to play up to her teacher without lagging. In truth, Roberta's actual presence on the stage was proving a distinct advantage to those of the players who had parts with her. She warmed and held them to their tasks with the flash of her own eyes, not to mention an occasional almost imperceptible but pregnant gesture, and they found themselves somehow able to "forget the audience," as she had so many times advised them to do, the better that she herself seemed so completely to have forgotten it.

The work of the young actors grew better with each act, and at the end of the fourth, when the curtain went down upon a scene which had been all storm on the part of the players and all laughter on the part of the audience, the applause was long and hearty. There were calls for the entire cast, and when they had several times responded there was a special and persistent demand for Katherine herself, in the character of the producer of the play. She refused it until she could no longer do so without discourtesy; then she came before the curtain and said a few winsome words of gratitude on behalf of her "company."

Ruth, staring up at her sister's face brilliant with the mingled exertion and emotion of the hour, and thinking her the prettiest picture there against the great dull-blue silk curtain of the stage she had ever seen, had no notion that just behind her somebody was thinking the same thing with a degree of fervour far beyond her own. Richard Kendrick's heart was thumping vigorously away in his breast as he looked his fill at the figure before the curtain, secure in the darkness of the house from observation at the moment.

When he had first met this girl he had told himself that he would soon know her well, would soon call her by her name. He wondered at himself that he could possibly have fancied conquest of her so easy. He was not a whit nearer knowing her, he was obliged to acknowledge, than on that first day, nor did he see any prospect of getting to know her—beyond a certain point. Her chosen occupation seemed to place her beyond his reach; she was not to be got at by the ordinary methods of approach. Twice he had called and asked for her, to be told that she was busy with school papers and must be excused. Once he had ventured to invite her to go with Mrs. Stephen and himself to a carefully chosen play and a supper, but she had declined, gracefully enough—but she had declined, and Mrs. Stephen also. He could not make these people out, he told himself. Did they and he live in such different worlds that they could never meet on common ground?

The Taming of the Shrew came to a triumphant end; the curtain fell upon the effective closing scene in which the lovely Shrew, become a richly loving and tender wife, without, somehow, surrendering a particle of her exquisite individuality, spoke her words of wisdom to other wives. Richard smiled to himself as he heard the lines fall from Roberta's lips. And beneath his breath he said:

"I don't see how you can bring yourself to say them, you modern girl. You'd never let a real husband feel his power that way, I'll wager. If you did—well—it would go to his head, I'm sure of that. What an idiot I am to think I could ever make her look at me the way she looked even at that schoolgirl Petruchio—with a clever imitation of devotion. O Roberta Gray! But I'd rather worship you across the footlights than take any other girl in my arms. And somehow—somehow I've got to make you at least respect me. At least that, Roberta! Then—perhaps—more!"

At Ruth's side, when the play was ended, Richard hoped to attain at least the chance to speak to Ruth's sister. The young players all appeared upon the stage, the curtain being raised for the rest of the evening, and the audience came up, group by group, to offer congratulations and pour into gratified ears the praise which was the reward of labour. Richard succeeded in getting by degrees into the immediate vicinity of Roberta, who was continuously surrounded by happy parents bent on presenting their felicitations. But just as he was about to make his way to her side a diversion occurred which took her completely away from him. A girl near by, who on account of physical frailty had had a minor part, grew suddenly faint, and in a trice Roberta had impressed into her service a strong pair of male arms, nearer at hand than Richard's, and had had the slim little figure carried behind the scenes, herself following.

Ten minutes later he learned from Ruth that Roberta had gone back to
Miss Copeland's school with the girl, recovered but weak.

"Couldn't anybody else have gone?" he inquired, considerable impatience in his voice.

"Of course—lots of people could, and would. Only it's just like Rob to seize the chance to get away from this, and not come back. You'll see—she won't. She hates being patted on the back, as she calls it. I never can see why, when people mean it, as I'm sure they do to-night. She's the queerest girl. She never wants what you'd think she would, or wants it the way other people do. But she's awfully dear, just the same," Ruth hastened to add, fearful lest she seem to criticise the beloved sister. "And somehow you don't get tired of her, the way you do of some people. Perhaps that's just because she's different."