Corner of Room, Showing Painted Furniture, Antique and Modern
Study values—just why and how much any decorative article decorates, and remember in furnishing a room, decorating a wall or dining-room table, it is not the intrinsic value or individual beauty of any one article which counts. Each picture on the wall, each piece of furniture, each bit of silver, glass, china, linen or lace, each yard of chintz or silk, every carpet or rug must be beautiful and effective in relation to the others used, for the art of interior decoration lies in this subtle, or obvious, relationship of furnishings.
We acknowledge as legitimate all schemes of interior decoration and insist that what makes any scheme good or bad, successful, or unsuccessful presuming a knowledge of the fundamentals of the art, is the fact that it is planned in reference to the type of man or woman who is to live in it.
A new note has been struck of late in the arranging of bizarre, delightful rooms which on entering we pronounce "very amusing."
Original they certainly are, in colour combinations, tropical in the impression they make,—or should we say Oriental?
They have come to us via Russia, Bakst, Munich and Martine of Paris. Like Rheinhardt's staging of "Sumurun," because these blazing interiors strike us at an unaccustomed angle, some are merely astonished, others charmed as well. There are temperaments ideally set in these interiors, and there are houses where they are in place. We cannot regard them as epoch-making, but granted that there is no attempt to conform to two of the rules for furnishing,—appropriateness and practicality, the results are refreshingly new and entertaining. This is one of the instances where exaggeration has served as a healthy antidote to the tendency toward extreme dinginess rampant about ten years ago, resulting from an obsession to antique everything. The reaction from this, a flaming rainbow of colours, struck a blow to the artistic sense, drew attention back to the value of colour and started the creative impulse along the line of a happy medium.