The dull gold frame of the mirror is very beautiful, and the painting above the glass interesting and unusual as to subject and execution.
The chair is a good example of Italian Louis XV.
Example of a Perfect Mantel, Ornaments and Mirror
If you decide upon a very brilliant chintz use it only in one chair, a screen, or in a valance over plain curtains with straps to hold them back, or perhaps a sofa cushion. Whether a chintz is bright or dull, its pattern is important. As with silks, brocaded in different colours, therefore never use chintz where a chair or sofa calls for tufting. A tufted piece of furniture always looks best done in plain materials.
In using a chintz in which both colour and design are indefinite, the kind which gives more or less an impression of faded tapestry, you will find that the very indefiniteness of the pattern makes it possible to use the chintz with more freedom, being always sure of a harmonious background. The one thing to guard against is that on entering a room you must not be conscious either of several colours, or of any set design.