The greatest care is required in selecting shades for side-wall lights, because they quickly catch the eye upon entering a room and materially contribute to its appearance or detract from it.


CHAPTER VI

WINDOW SHADES AND AWNINGS

The first thing to consider in selecting window shades when furnishing a house, is whether their colour harmonises with the exterior. Keeping this point in mind, further limit your selection to those colours and tones which harmonise with your colour schemes for the interior. If you use white net or scrim, your shades must be white, and if ecru net, your shades must be ecru. If the outside of your house calls for one colour in shades and the interior calls for another, use two sets. Your dark-green sun shades never interfere, as they can always be covered by the inner set. Sometimes the dark green harmonises with the colouring of the rooms.

A room often needs, for sake of balance, to be weighted by colour on the window sides more than your heavy curtains (silk or cretonne) contribute when drawn back; in such a case decorators use coloured gauze for sash curtains in one, two or three shades and layers, which are so filmy and delicate both in texture and colouring that they allow air and light to pass through them, the effect being charming.

Another way to obtain the required colour value at your windows is the revival of glazed linens, with beautiful coloured designs, made up into shades. These are very attractive in a sunny room where the strong light brings out the design of flowers, fruits or foliage. [Plate X] shows a room in which this style of shade is used with great success. It is to be especially commended in such a case as [Plate X], where no curtains are used at windows. Here the figured linen shade is a deliberate contribution to the decorative scheme of the room and completes it as no other material could.

Awnings can make or mar a house, give it style or keep it in the class of the commonplace. So choose carefully with reference to the colour of your house. The fact that awnings show up at a great distance and never "in the hand," as it were, argues in favour of clear stripes, in two colours and of even size, with as few extra threads of other colours as possible.