“One of the soldiers even says, ‘It’s all to look at you that they come.’ One would come in, ‘Where is such a paper?’ or something, but I see it is not the paper he wants; he just devours me with his eyes,” she said, shaking her head. “Regular artists.”
“Yes, that’s so,” said the watchman’s wife, and ran on in her musical strain, “they’re like flies after sugar.”
“And here, too,” Maslova interrupted her, “the same thing. They can do without anything else. But the likes of them will go without bread sooner than miss that! Hardly had they brought me back when in comes a gang from the railway. They pestered me so, I did not know how to rid myself of them. Thanks to the assistant, he turned them off. One bothered so, I hardly got away.”
“What’s he like?” asked Khoroshevka.
“Dark, with moustaches.”
“It must be him.”
“Him—who?”
“Why, Schegloff; him as has just gone by.”
“What’s he, this Schegloff?”
“What, she don’t know Schegloff? Why, he ran twice from Siberia. Now they’ve got him, but he’ll run away. The warders themselves are afraid of him,” said Khoroshavka, who managed to exchange notes with the male prisoners and knew all that went on in the prison. “He’ll run away, that’s flat.”