“There, now, you’ll fall down,” said the inspector, smiling, as the little girl ran up to him, and, not looking where she was going, caught her foot in a little rug.
“Well, then, if I may, I shall go.”
“It’s not very convenient to see Maslova to-day,” said the inspector.
“How’s that?”
“Well, you know, it’s all your own fault,” said the inspector, with a slight smile. “Prince, give her no money into her hands. If you like, give it me. I will keep it for her. You see, you gave her some money yesterday; she got some spirits (it’s an evil we cannot manage to root out), and to-day she is quite tipsy, even violent.”
“Can this be true?”
“Oh, yes, it is. I have even been obliged to have recourse to severe measures, and to put her into a separate cell. She is a quiet woman in an ordinary way. But please do not give her any money. These people are so—” What had happened the day before came vividly back to Nekhludoff’s mind, and again he was seized with fear.
“And Doukhova, a political prisoner; might I see her?”
“Yes, if you like,” said the inspector. He embraced the little girl, who was still looking at Nekhludoff, got up, and, tenderly motioning her aside, went into the ante-room. Hardly had he got into the overcoat which the maid helped him to put on, and before he had reached the door, the distinct sounds of Clementi’s roulades again began.
“She entered the Conservatoire, but there is such disorder there. She has a great gift,” said the inspector, as they went down the stairs. “She means to play at concerts.”