“Never. The whole face is altered. Why, it must be 10 years since then.”
“Not years, but a lifetime,” said Maslova. And suddenly her animation went, her face grew gloomy, and a deep line appeared between her brows.
“Why so? Your way of life must have been an easy one.”
“Easy, indeed,” Maslova reiterated, closing her eyes and shaking her head. “It is hell.”
“Why, what makes it so?”
“What makes it so! From eight till four in the morning, and every night the same!”
“Then why don’t they give it up?”
“They can’t give it up if they want to. But what’s the use of talking?” Maslova said, jumping up and throwing the photograph into the drawer of the table. And with difficulty repressing angry tears, she ran out into the passage and slammed the door.
While looking at the group she imagined herself such as she was there and dreamt of her happiness then and of the possibility of happiness with him now. But her companion’s words reminded her of what she was now and what she had been, and brought back all the horrors of that life, which she had felt but dimly, and not allowed herself to realise.
It was only now that the memory of all those terrible nights came vividly back to her, especially one during the carnival when she was expecting a student who had promised to buy her out. She remembered how she—wearing her low necked silk dress stained with wine, a red bow in her untidy hair, wearied, weak, half tipsy, having seen her visitors off, sat down during an interval in the dancing by the piano beside the bony pianiste with the blotchy face, who played the accompaniments to the violin, and began complaining of her hard fate; and how this pianiste said that she, too, was feeling how heavy her position was and would like to change it; and how Clara suddenly came up to them; and how they all three decided to change their life. They thought that the night was over, and were about to go away, when suddenly the noise of tipsy voices was heard in the ante-room. The violinist played a tune and the pianiste began hammering the first figure of a quadrille on the piano, to the tune of a most merry Russian song. A small, perspiring man, smelling of spirits, with a white tie and swallow-tail coat, which he took off after the first figure, came up to her, hiccoughing, and caught her up, while another fat man, with a beard, and also wearing a dress-coat (they had come straight from a ball) caught Clara up, and for a long time they turned, danced, screamed, drank. . . . And so it went on for another year, and another, and a third. How could she help changing? And he was the cause of it all. And, suddenly, all her former bitterness against him reawoke; she wished to scold, to reproach him. She regretted having neglected the opportunity of repeating to him once more that she knew him, and would not give in to him—would not let him make use of her spiritually as he had done physically.