“No, he can still hear, but he's very bad,” she adds, in a whisper. “I gave him some tea to-day,—what if he is a stranger, one must still have pity!—and he hardly tasted it.”
“How do you feel?” you ask him.
The wounded man turns his eyeballs at the sound of your voice, but he neither sees nor understands you.
“There's a gnawing at my heart.”
A little further on, you see an old soldier changing his linen. His face and body are of a sort of cinnamon-brown color, and gaunt as a skeleton. He has no arm at all; it has been cut off at the shoulder. He is sitting with a wide-awake air, he puts himself to rights; but you see, by his dull, corpse-like gaze, his frightful gauntness, and the wrinkles on his face, that he is a being who has suffered for the best part of his life.
On the other side, you behold in a cot the pale, suffering, and delicate face of a woman, upon whose cheek plays a feverish flush.
“That's our little sailor lass who was struck in the leg by a bomb on the 5th,” your guide tells you. “She was carrying her husband's dinner to him in the bastion.”
“Has it been amputated?”
“They cut it off above the knee.”
Now, if your nerves are strong, pass through the door on the left. In yonder room they are applying bandages and performing operations. There, you will see doctors with their arms blood-stained above the elbow, and with pale, stern faces, busied about a cot, upon which, with eyes widely opened, and uttering, as in delirium, incoherent, sometimes simple and touching words, lies a wounded man under the influence of chloroform. The doctors are busy with the repulsive but beneficent work of amputation. You see the sharp, curved knife enter the healthy, white body, you see the wounded man suddenly regain consciousness with a piercing cry and curses, you see the army surgeon fling the amputated arm into a corner, you see another wounded man, lying in a litter in the same apartment, shrink convulsively and groan as he gazes at the operation upon his comrade, not so much from physical pain as from the moral torture of anticipation.—You behold the frightful, soul-stirring scenes; you behold war, not from its conventional, beautiful, and brilliant side, with music and drum-beat, with fluttering flags and galloping generals, but you behold war in its real phase—in blood, in suffering, in death.