“My God! How my heart leaped! What were my imaginations! When I remember the beast that lived in me at that moment, I am seized with fright. My heart was first compressed, then stopped, and then began to beat like a hammer. The principal feeling, as in every bad feeling, was pity for myself. ‘Before the children, before the old nurse,’ thought I, ‘she dishonors me. I will go away. I can endure it no longer. God knows what I should do if. . . . But I must go in.’
“The old nurse raised her eyes to mine, as if she understood, and advised me to keep a sharp watch. ‘I must go in,’ I said to myself, and, without knowing what I did, I opened the door. He was sitting at the piano and making arpeggios with his long, white, curved fingers. She was standing in the angle of the grand piano, before the open score. She saw or heard me first, and raised her eyes to mine. Was she stunned, was she pretending not to be frightened, or was she really not frightened at all? In any case, she did not tremble, she did not stir. She blushed, but only a little later.
“‘How glad I am that you have come! We have not decided what we will play Sunday,’ said she, in a tone that she would not have had if she had been alone with me.
“This tone, and the way in which she said ‘we’ in speaking of herself and of him, revolted me. I saluted him silently. He shook hands with me directly, with a smile that seemed to me full of mockery. He explained to me that he had brought some scores, in order to prepare for the Sunday concert, and that they were not in accord as to the piece to choose,—whether difficult, classic things, notably a sonata by Beethoven, or lighter pieces.
“And as he spoke, he looked at me. It was all so natural, so simple, that there was absolutely nothing to be said against it. And at the same time I saw, I was sure, that it was false, that they were in a conspiracy to deceive me.
“One of the most torturing situations for the jealous (and in our social life everybody is jealous) are those social conditions which allow a very great and dangerous intimacy between a man and a woman under certain pretexts. One must make himself the laughing stock of everybody, if he desires to prevent associations in the ball-room, the intimacy of doctors with their patients, the familiarity of art occupations, and especially of music. In order that people may occupy themselves together with the noblest art, music, a certain intimacy is necessary, in which there is nothing blameworthy. Only a jealous fool of a husband can have anything to say against it. A husband should not have such thoughts, and especially should not thrust his nose into these affairs, or prevent them. And yet, everybody knows that precisely in these occupations, especially in music, many adulteries originate in our society.
“I had evidently embarrassed them, because for some time I was unable to say anything. I was like a bottle suddenly turned upside down, from which the water does not run because it is too full. I wanted to insult the man, and to drive him away, but I could do nothing of the kind. On the contrary, I felt that I was disturbing them, and that it was my fault. I made a presence of approving everything, this time also, thanks to that strange feeling that forced me to treat him the more amiably in proportion as his presence was more painful to me. I said that I trusted to his taste, and I advised my wife to do the same. He remained just as long as it was necessary in order to efface the unpleasant impression of my abrupt entrance with a frightened face. He went away with an air of satisfaction at the conclusions arrived at. As for me, I was perfectly sure that, in comparison with that which preoccupied them, the question of music was indifferent to them. I accompanied him with especial courtesy to the hall (how can one help accompanying a man who has come to disturb your tranquillity and ruin the happiness of the entire family?), and I shook his white, soft hand with fervent amiability.”
CHAPTER XXII.
“All that day I did not speak to my wife. I could not. Her proximity excited such hatred that I feared myself. At the table she asked me, in presence of the children, when I was to start upon a journey. I was to go the following week to an assembly of the Zemstvo, in a neighboring locality. I named the date. She asked me if I would need anything for the journey. I did not answer. I sat silent at the table, and silently I retired to my study. In those last days she never entered my study, especially at that hour. Suddenly I heard her steps, her walk, and then a terribly base idea entered my head that, like the wife of Uri, she wished to conceal a fault already committed, and that it was for this reason that she came to see me at this unseasonable hour. ‘Is it possible,’ thought I, ‘that she is coming to see me?’ On hearing her step as it approached: ‘If it is to see me that she is coming, then I am right.’
“An inexpressible hatred invaded my soul. The steps drew nearer, and nearer, and nearer yet. Would she pass by and go on to the other room? No, the hinges creaked, and at the door her tall, graceful, languid figure appeared. In her face, in her eyes, a timidity, an insinuating expression, which she tried to hide, but which I saw, and of which I understood the meaning. I came near suffocating, such were my efforts to hold my breath, and, continuing to look at her, I took my cigarette, and lighted it.