All this was the fruit of Anísya Fëdorovna’s housekeeping, gathered and prepared by her. The smell and taste of it all had a smack of Anísya Fëdorovna herself: a savor of juiciness, cleanliness, whiteness, and pleasant smiles.

“Take this, little Lady-Countess!” she kept saying, as she offered Natásha first one thing and then another.

Natásha ate of everything and thought she had never seen or eaten such buttermilk cakes, such aromatic jam, such honey-and-nut sweets, or such a chicken anywhere. Anísya Fëdorovna left the room.

After supper, over their cherry brandy, Rostóv and “Uncle” talked of past and future hunts, of Rugáy and Ilágin’s dogs, while Natásha sat upright on the sofa and listened with sparkling eyes. She tried several times to wake Pétya that he might eat something, but he only muttered incoherent words without waking up. Natásha felt so lighthearted and happy in these novel surroundings that she only feared the trap would come for her too soon. After a casual pause, such as often occurs when receiving friends for the first time in one’s own house, “Uncle,” answering a thought that was in his visitors’ minds, said:

“This, you see, is how I am finishing my days... Death will come. That’s it, come on! Nothing will remain. Then why harm anyone?”

“Uncle’s” face was very significant and even handsome as he said this. Involuntarily Rostóv recalled all the good he had heard about him from his father and the neighbors. Throughout the whole province “Uncle” had the reputation of being the most honorable and disinterested of cranks. They called him in to decide family disputes, chose him as executor, confided secrets to him, elected him to be a justice and to other posts; but he always persistently refused public appointments, passing the autumn and spring in the fields on his bay gelding, sitting at home in winter, and lying in his overgrown garden in summer.

“Why don’t you enter the service, Uncle?”

“I did once, but gave it up. I am not fit for it. That’s it, come on! I can’t make head or tail of it. That’s for you—I haven’t brains enough. Now, hunting is another matter—that’s it, come on! Open the door, there!” he shouted. “Why have you shut it?”

The door at the end of the passage led to the huntsmen’s room, as they called the room for the hunt servants.

There was a rapid patter of bare feet, and an unseen hand opened the door into the huntsmen’s room, from which came the clear sounds of a balaláyka on which someone, who was evidently a master of the art, was playing. Natásha had been listening to those strains for some time and now went out into the passage to hear better.