“But how? Are we to take him up to her? The room there has not been tidied up.”
“No, she has dressed and gone into the drawing room,” said Sónya.
Márya Dmítrievna only shrugged her shoulders.
“When will her mother come? She has worried me to death! Now mind, don’t tell her everything!” said she to Pierre. “One hasn’t the heart to scold her, she is so much to be pitied, so much to be pitied.”
Natásha was standing in the middle of the drawing room, emaciated, with a pale set face, but not at all shamefaced as Pierre expected to find her. When he appeared at the door she grew flurried, evidently undecided whether to go to meet him or to wait till he came up.
Pierre hastened to her. He thought she would give him her hand as usual; but she, stepping up to him, stopped, breathing heavily, her arms hanging lifelessly just in the pose she used to stand in when she went to the middle of the ballroom to sing, but with quite a different expression of face.
“Peter Kirílovich,” she began rapidly, “Prince Bolkónski was your friend—is your friend,” she corrected herself. (It seemed to her that everything that had once been must now be different.) “He told me once to apply to you...”
Pierre sniffed as he looked at her, but did not speak. Till then he had reproached her in his heart and tried to despise her, but he now felt so sorry for her that there was no room in his soul for reproach.
“He is here now: tell him... to for... forgive me!” She stopped and breathed still more quickly, but did not shed tears.
“Yes... I will tell him,” answered Pierre; “but...”