The count spoke timidly, as he always did when talking of money matters. The countess was accustomed to this tone as a precursor of news of something detrimental to the children’s interests, such as the building of a new gallery or conservatory, the inauguration of a private theater or an orchestra. She was accustomed always to oppose anything announced in that timid tone and considered it her duty to do so.
She assumed her dolefully submissive manner and said to her husband: “Listen to me, Count, you have managed matters so that we are getting nothing for the house, and now you wish to throw away all our—all the children’s property! You said yourself that we have a hundred thousand rubles’ worth of things in the house. I don’t consent, my dear, I don’t! Do as you please! It’s the government’s business to look after the wounded; they know that. Look at the Lopukhíns opposite, they cleared out everything two days ago. That’s what other people do. It’s only we who are such fools. If you have no pity on me, have some for the children.”
Flourishing his arms in despair the count left the room without replying.
“Papa, what are you doing that for?” asked Natásha, who had followed him into her mother’s room.
“Nothing! What business is it of yours?” muttered the count angrily.
“But I heard,” said Natásha. “Why does Mamma object?”
“What business is it of yours?” cried the count.
Natásha stepped up to the window and pondered.
“Papa! Here’s Berg coming to see us,” said she, looking out of the window.