The interest of the Levantine terms for the mandrake lies in the fact that they have the same significance as the word for pearl, i.e. "giver of life". This adds another argument (to those which I have already given) for regarding the mandrake as a surrogate of the pearl. But they also reveal the essential fact that led to the identification of the plant with the Mother-Goddess, which I have already discussed.

In Arabic the mandrake is called abou ruhr, "father of life," i.e. "giver of life".[393]

In Arabic margan means "coral" as well as "pearl". In the Mediterranean area coral is explained as a new and marvellous plant sprung from the petrified blood-stained branches on which Perseus hung the bleeding head of Medusa. Eustathius ("Comment. ad Dionys. Perieget." 1097) derives κοράλιον from κόρη, personifying the monstrous virgin: but Chæroboscos claims that it comes from κόρη and ἄλιον, because it is a maritime product used to make ornaments for maidens. In any case coral is a "giver of life" and as such identified with a maiden,[394] as the most potential embodiment of life-giving force. But this specific application of the word for "giver of life" was due to the fact that in all the Semitic languages, as well as in literary references in the Egyptian Pyramid Texts, this phrase was understood as a reference to the female organs of reproduction. The same double entendre is implied in the use of the Greek word for "pig" and "cowry," these two surrogates of the Great Mother, each of which can be taken to mean the "giver of life" or the "pudendum muliebre".

Perhaps the most plausible suggestion that has been made as to the derivation of the word "mandragora" is Delâtre's claim[395] that it is compounded of the words mandros, "sleep," and agora, "object or substance," and that mandragora means "the sleep-producing substance".

This derivation is in harmony with my suggestion as to the means by which the plant acquired its magical properties. The sedative substance that, in the Egyptian hieroglyphs (of the Story of the Destruction of Mankind), was represented by yellow spheres with a red covering was confused in Western Asia with the yellow-berried plant which was known to have sedative properties. Hence the plant was confused with the mineral and so acquired all the magical properties of the Great Mother's elixir. But the Indian name is descriptive of the actual properties of the plant and is possibly the origin of the Greek word.

Another suggestion that has been made deserves some notice. It has been claimed that the first syllable of the name is derived from the Sanskrit mandara, one of the trees in the Indian paradise, and the instrument with which the churning of the ocean was accomplished.[396] The mandrake has been claimed to be the tree of the Hebrew paradise; and a connexion has thus been instituted between it and the mandara. This hypothesis, however, does not offer any explanation of how either the mandrake or the mandara acquired its magical attributes. The Indian tree of life was supposed to "sweat" amrita just as the incense trees of Arabia produce the divine life-giving incense.

But there are reasons[397] for the belief that the Indian story of the churning of the sea of milk is a much modified version of the old Egyptian story of the pounding of the materials for the elixir of life. The mandara churn-stick, which is often supposed to represent the phallus,[398] was originally the tree of life, the tree or pillar which was animated by the Great Mother herself.[399] So that the mandara is homologous with the mandragora. But so far as I am aware, there is no adequate reason for deriving the latter word from the former.

The derivation from the Sanskrit words mandros and agora seems to fit naturally into the scheme of explanation which I have been formulating.

In the Egyptian story the Sekti of Heliopolis pounded the didi in a mortar to make "the giver of life," which by a simple confusion might be identified with the goddess herself in her capacity as "the giver of life". This seems to have occurred in the Indian legend. Lakshmi, or Sri, was born at the churning of the ocean. Like Aphrodite, who was born from the sea-foam churned from the ocean, Lakshmi was the goddess of beauty, love, and prosperity.

Before leaving the problems of mandrake and the homologous plants and substances, it is important that I should emphasize the rôle of blood and blood-substitutes, red-stained beer, red wine, red earth, and red berries in the various legends. These life-giving and death-dealing substances were all associated with the colour red, and the destructive demons Sekhet and Set were given red forms, which in turn were transmitted to the dragon, and to that specialized form of the dragon which has become the conventional way of representing Satan.