The Power of the Eye.
In attempting to understand the peculiar functions attributed to the eye it is essential that the inquirer should endeavour to look at the problem from the early Egyptian's point of view. After moulding into shape the wrappings of the mummy so as to restore as far as possible the form of the deceased the embalmer then painted eyes upon the face. So also when the sculptor had learned to make finished models in stone or wood, and by the addition of paint had enhanced the life-like appearance, the statue was still merely a dead thing. What were needed above all to enliven it, literally and actually, in other words, to animate it, were the eyes; and the Egyptian artist set to work and with truly marvellous skill reproduced the appearance of living eyes (Fig. 5). How ample was the justification for this belief will be appreciated by anyone who glances at the remarkable photographs recently published by Dr. Alan H. Gardiner.[91] The wonderful eyes will be seen to make the statue sparkle and live. To the concrete mind of the Egyptian this triumph of art was regarded not as a mere technical success or æsthetic achievement. The artist was considered to have made the statue really live; in fact, literally and actually converted it into a "living image". The eyes themselves were regarded as one of the chief sources of the vitality which had been conferred upon the statue.
Fig. 5—Statue of an Egyptian Noble of the Pyramid Age to show the technical skill in the representation of life-like eyes
This is the explanation of all the elaborate care and skill bestowed upon the making of artificial eyes. No doubt also it was largely responsible for giving definition to the remarkable belief in the animating power of the eye. But so many other factors of most diverse kinds played a part in building up the complex theory of the eye's fertilizing potency that all the stages in the process of rationalization cannot yet be arranged in orderly sequence.
I refer to the question here and suggest certain aspects of it that seem worthy of investigation merely for the purpose of stimulating some student of early Egyptian literature to look into the matter further.[92]
As death was regarded as a kind of sleep and the closing of the eyes was the distinctive sign of the latter condition the open eyes were not unnaturally regarded as clear evidence of wakefulness and life. In fact, to a matter-of-fact people the restoration of the eyes to the mummy or statue was equivalent to an awakening to life.
At a time when a reflection in a mirror or in a sheet of water was supposed to afford quite positive evidence of the reality of each individual's "double," and when the "soul," or more concretely, "life," was imagined to be a minute image or homunculus, it is quite likely that the reflection in the eye may have been interpreted as the "soul" dwelling within it. The eye was certainly regarded as peculiarly rich in "soul substance". It was not until Osiris received from Horus the eye which had been wrenched out in the latter's combat with Set that he "became a soul".[93]
It is a remarkable fact that this belief in the animating power of the eye spread as far east as Polynesia and America, and as far west as the British Islands.