Frazer ([22], p. 80) says the burial (in Australia) on a raised stage reminds him of the “towers of silence,” and adds:—“This novelty of a raised stage can scarcely be a thing which our blacks have invented for themselves since they came to Australia; and if it is a custom which some portion of their ancestors brought with them into this country, I would argue from it that these ancestors were once in contact with, or rather formed part of, a race which had beliefs similar to those of the Persians; such beliefs are not readily adopted by strangers; they belong to a race.” Frazer proceeds to contrast this practice with the other Australian custom of desiccation, which, he says, “corresponds to the Egyptian practice of mummification” (p. 81): but, as Hertz ([33] et supra) has pointed out, they were inspired by the same fundamental idea, however much the present practitioners of the two methods may fail to realize this in their beliefs and traditions. The interesting suggestion emerges from these considerations that the peculiar Persian burial customs may be essentially a degraded and profoundly modified form of the ancient Egyptian funerary rites.
In his “Polynesian Researches” William Ellis ([15]) gives an interesting, though unfortunately too brief, account of the Tahitian practice of embalming. Among the poor and middle classes “methods of preservation were too expensive” to be used, but the body was “placed upon a sort of bier covered with the best native cloth” while awaiting burial (p. 399).
“The bodies of the dead, among the chiefs, were, however, in general preserved above ground: a temporary house or shed was erected for them, and they were placed on a kind of bier ... sometimes the moisture of the body was removed by pressing the different parts, drying it in the sun, and anointing it with fragrant oils. At other times, the intestines, brains, etcetera were removed: all moisture was extracted from the body, which was fixed in a sitting position during the day, and exposed to the sun, and, when placed horizontally at night was frequently turned over, that it might not remain long on the same side. The inside was then filled with cloth saturated with perfumed oils, which were also injected into other parts of the body, and carefully rubbed over the outside every day” (pp. 400 and 401).
“It was then clothed, and fixed in a sitting posture; a small altar was erected before it, and offerings of fruit, food and flowers, were daily presented by the relatives, or the priests appointed to attend the body. In this state it was preserved several months, and when it decayed, the skull was carefully kept by the family, while the other bones etc. were buried within the precincts of the family temple” (p. 401).
Ellis makes the significant comment:—“It is singular that the practice of preserving the bodies of their dead by the process of embalming, which has been thought to indicate a high degree of civilization, and which was carried to such perfection by one of the most celebrated nations of antiquity, some thousand years ago, should be found to prevail among this people.” The whole of the circumstances attending the practice of this custom, and the curious ritual and the behaviour of the mourners, as described by Ellis, no less than the details of the process, in fact afford the most positive evidence of its derivation from Egypt.
Ellis says “it is also practiced by other distant nations of the Pacific, and on some of the coasts washed by its waters.” “In some of the islands they dried the bodies, and, wrapping them in numerous folds of cloth, suspended them from the roofs of their dwelling-houses” (p. 406).
Ellis notes the remarkable points of identity between the Tahitian account of the deluge and not only the Hebrew but also those of the Mexicans and Peruvians and many other peoples (p. 394).
In Glaumont’s summary ([24], p. 517) five modes of burial are described as being practised in New Caledonia. The first is burial in the flexed position; 2nd, extended burial in caves; 3rd, exposure of the body in trees or on the mountains; 4th, mummification; 5th, the body erect or reposing in a dug-out canoe. With regard to the method of embalming, this is practised only in the case of a chief. The body of a chief soon after death was covered with pricks into which were introduced the juices of certain plants with the object of preventing decomposition of the tissues. Afterwards the body was suitably dried or smoked, then it was dressed in its best clothes, its face painted red and black, and then the body was preserved indefinitely. A hole was made at the top of the hut, and by means of this they haul up the mummy. After it has been exposed in this way for a certain time, the body was withdrawn from the hole into the house, which was then carefully shut up and became taboo with all that it contained. Analogous customs are found in New Zealand and elsewhere in Oceania. A singularly strange custom is now in use in the New Hebrides and in the Solomon Islands. The father and son, for example, or the husband and wife, having just died, they smoke the head alone as in New Zealand, but they make (with bamboo covered with cloth) a mannikin, having roughly the human form; then they tattoo the whole of the surface; fastened upon each shoulder—and this is the strange part of it—is a piece of bamboo, to one of which they attach the father’s head and the other that of his son. [The account is not altogether intelligible here.] The heads are painted white and black. With reference to the placing of the body in a canoe, this is reserved for chiefs only. When a chief dies, messengers go in all directions, repeating “The sun is set.” This expression springs from the idea that the chief is a god, the supreme Sun-god.
These procedures afford a remarkably complete series of links with the “heliolithic” cult as practised elsewhere in the west and east. The account of the curious attachment of the heads to the shoulders of the dummy figure throw some light upon the custom (to which I have referred elsewhere in this communication) in Mallicolo ([61], p. 138) and in America of representing human faces on the shoulders of such models. It is a remarkable fact that in certain of the Mallicolo figures the phallus is fixed to the girdle in a very curious manner, exactly analogous to that recently described and figured by Blackman from an Egyptian tomb of the Middle Kingdom at Meir.