Illustrations to Foote’s “Tailors,” and “Mayor of Garratt”; O’Hara’s “Midas”; “The Beggars’ Opera”; “Katherine and Petruchio,” and others.
The following between 1831 and 1836.
Design on wood for “Figaro in London.”
[With Seymour and others.] Illustrations to a periodical called “The Thief.”
Twenty illustrations to W. R. Macdonald’s “Comic Alphabet.” (A rival to George Cruikshank’s work of the same title.)
Eighty-five designs on wood to Crithannah’s “Original Fables.” Six designs on wood for “Readings from Dean Swift His Tale of a Tub, with Variorum Notes, and a Supplement for the use of the Nineteenth Century,” by Quintus Flestrin Grildrig.
Johann Abricht’s “Divine Emblems.” And [with his brother] illustrations to J. Thomas’s “Burlesque Drama.” 1838.
[With Seymour.] The series known as “Cruikshank at Home,” and “The Odd Volume.”
The following in 1839-1840.
Ten vignettes to “The Lady and the Saints.” Twelve designs on wood to “Colburn’s Kalendar of Amusements in Town and Country.” “Cozi Toobad.” [With W. Lee.] Twenty-three steel plates and designs on wood for “Jem Blunt,” by Barker (author of the celebrated “Greenwich Hospital”).