[With Isaac Robert Cruikshank.] “Cruikshank at Home,” and “The Odd Volume.” 1836.
“The Omnibus” (a series of humorous etchings on copper); and “The Heiress” (six plates, each consisting of about five subjects).
Upwards of three hundred designs on wood for “Figaro in London.” 1831-1836.
“Valpurgis; or, the Devil’s Festival.” Four woodcuts. (Kidd.) 1831.
“The Extraordinary Black Book” (an exposition of the incomes of the aristocracy, Church, civil list, list of sinecurists, etc.), one caricature plate. 1831.
“The Comic Magazine.” 1831-1834.
“Maxims and Hints for an Angler” (twelve beautifully-finished drawings on stone).
“The Schoolmaster Abroad” (aimed at Lord Brougham’s educational movement).
“New Readings by Old Authors” (a small lithographic series comprising upwards of three hundred plates, the subjects being suggested by readings in Shakespeare, Schiller’s “William Tell,” and Byron’s “Giaour.”)
Several hundred illustrations for Maddeley, the publisher.