When she reached Gloucester Place, Lady Munro and her daughter were alone in the drawing-room.
Lady Munro was one of those people who make a marked impress on their material surroundings. The rooms in which she lived quickly became, as it were, a part of herself, which her friends could not fail to recognise as such.
Eastern rugs and draperies clothed the conventional London sitting-room; luxuriant, tropical-looking plants were grouped in corners, great sensuous roses lolled in Indian bowls, and a few rich quaint lamps cast a mellow glow across the twilight of the room.
"Why, Mona, can it really be you?" Lady Munro rose from her lounge, and kissed her niece affectionately on both cheeks. For a moment Mona could scarcely find words. She was keenly susceptible at all times to the beauty of luxury, and the very atmosphere of this room called up with irresistible force forgotten memories of childhood. The touch of this gracious woman's lips, the sound of her voice, the soft frou-frou of her gown, all gave Mona a sense of exquisite physical pleasure. Lady Munro was not, strictly speaking, a beautiful woman; but a subtle grace, a subtle fascination, a subtle perfume were part of her very being. She was worshipped by all the men who knew her, but the most cynical of her husband's friends could not deny that she was no whit less charming in her intercourse with her own sex than she was with them. She was not brilliant; she was not fast; she was simply herself.
"This is my daughter Evelyn," she said; and she laid her hand on a sweet, quiet, overgrown English schoolgirl—one of those curious chrysalis beings whom a few months of Anglo-Indian society transform from a child into a finished woman of the world.
"I expect my husband every moment. He is longing to meet you."
Evelyn slowly raised her blue eyes, looked quietly at her mother for a moment, and let them fall again without the smallest change of expression. In fact, Lady Munro's remark was a graceful modification of the truth. Sir Douglas Munro was nothing if not a man of the world. He knew the points of a wine, and he knew the points of a horse; but above all he flattered himself that he knew the points of a woman. He had made a study of them all his life, and he believed, perhaps rightly, that he could read them like an open book. "Sweet seventeen" was at a cruel disadvantage in his hands, if indeed he exerted himself to speak to her at all. The genus Medical Woman was not as yet included in his collection, but he had heard of it, and had classified it in his own mind as a useful but uninteresting hybrid, which could not strictly be called a woman at all. In the sense, therefore, in which a lukewarm entomologist "longs to meet" the rare but ugly beetle which he believes will complete his cabinet, Sir Douglas Munro was "longing" to make the acquaintance of Mona Maclean.
The new beetle certainly took him by surprise when he came in a minute later.
"Mona!" he replied to his wife's introduction; "Mona Maclean—the doctor?"
Mona laughed as she rose, and took his proffered hand.