'Bless my soul, you don't mean to say so! the colonel ejaculated parenthetically.

'And modern practice was doubtless founded on the mistake of supposing that, because the torsos we dig up are white now, they were white originally. But even the example of the Greeks doesn't settle every question without appeal. We've tried white marble, and found it succeed. We've tried tinting, and found it wanting. The fact is, you see, the attention of the eye can't be distracted. Either it attends to form, or else it attends to colour; rarely and imperfectly to both together. Take a vase. If it's covered with figures or flowers, our attention's distracted from the general outline to the painted objects it encloses. If its colouring's uniform, we think only of the beauty of form, because our attention isn't distracted from it by conflicting sensations. That's the long and the short of it, I think. Beauty of form's a higher taste than beauty of colour—at least, so we sculptors always fancy.'

Colin delivered these remarks as if he intended them for the colonel (though they were really meant for Miss Gwen's enlightenment), and the colonel was decidedly flattered by the cunning tribute to his tastes and interests thus delicately implied. But Gwen drank in every word the young man said with the deepest attention, and managed to make him go on with his subject till he had warmed to it thoroughly, and had launched out upon his own peculiar theories as to the purpose and function of his chosen art. All along, however, Colin pointed his remarks so cleverly at the colonel, while giving Gwen her fair share of the conversation, that the colonel quite forgot his first suspicions about the young sculptor, and grew gradually quite cordial and friendly in demeanour. So well did they get on together that, by the time they had had lunch out of the colonel's basket, Colin had given the colonel his ideas as to the heinousness of palming off as sculpture veiled ladies and crying babies (both of which freaks of art, by the way, the colonel had hitherto vastly admired); while the colonel in return had imparted to Colin his famous stories of how he was once nearly killed by a tiger in a jungle at Boolundshuhr in the North-West Provinces, and how he had assisted to burn a fox out in a hunt at Gib., and how he had shot the biggest wapiti ever seen for twenty years in the neighbourhood of Ottawa. All which surprising adventures Colin received with the same sedulous show of polite interest that the colonel had extended in turn to his own talk about pictures and statues.

At last, they reached Dijon, and there Colin got out, as in duty bound, to inquire whether his master was in want of anything. Sir Henry didn't need much, so Colin returned quickly to his own carriage.

'You have a friend in a coupé-lit, I see,' the colonel said, opening the door for the young stranger. 'An invalid, I suppose.' Colin blushed visibly, so that Miss Gwen noticed his colour, and wondered what on earth could be the meaning of it. Till that moment, to say the truth, he had been so absorbed in his talk about art, and in observing Gwen (who interested him as all beautiful women interest a sculptor), that he had almost entirely forgotten, for the time being, his anomalous position. 'No, not an invalid,' he answered evasively, 'but a very old gentleman.' 'Ah,' the colonel put in, as the train moved away from Dijon station, 'I don't wonder people travel by coupe-lit when they can afford it, in spite of the prohibitive prices set upon it by these French companies. It's most unpleasant having nothing but first-class carriages on the train. You have to travel with your own servants.'

Colin smiled feebly, but said nothing. It began to strike him that in the innocence of his heart he had made a mistake in being beguiled into conversation with these grand people. And yet it was their own fault. Miss Gwen had clearly done it all, with her seductive inquiries about art and artists.

'Or rather,' the colonel went on, 'one can always put one's own servants, of course, into another carriage; but one's never safe against having to travel with other people's. We're lucky to-day in being a pleasant party all together (these French gentlemen, though they're not companionable, are evidently very decent people); but sometimes, I know, I've had to travel on the Continent here, wedged in immovably between a fat lady's-maid and a gentleman's gentleman.'

Colin's face burned hot and crimson. 'I beg your pardon,' he said, in a faltering voice, almost relapsing in his confusion into his aboriginal Dorsetshire, 'but I ought, perhaps, to have told you sooner who you are travelling with. I am valet to Sir Henry Wilberforce: he is the gentleman in the coupé-lit, and he's my master.'

The colonel sank back on his cushions with a face as white as marble, while Colin's now flushed as red as a damask rose. 'A valet!' he cried faintly. 'Gwen, my dear, did he say a valet? What can all this mean? Didn't he tell us he was a sculptor going to Rome to practise his profession?'

'I did,' Colin answered defiantly, for he was on his mettle now. 'I did tell you so, and it's the truth. But I'm going as a valet. I couldn't afford to go in any other way, and so I took a situation, meaning to use my spare time in Rome to study sculpture.'