As for Colin, now that Sam had gone back to England, on his way home to America (Sam used the expression himself quite naturally now), he had thrown himself with the utmost fervour into the work of Maragliano's studio, where he soon rose to the acknowledged position of the great master's most favourite pupil. The model of the Calabrian Peasant which he built up upon the blacksmith's framework was the last copy he had to do for Maragliano. As soon as it was finished, the master scanned the clay figure with his quick critical eye, and cried almost contemptuously, 'Why, this is mere child's play for such a man as you, I see, Churchill. You must do no more copying. To-morrow you shall begin modelling from the life.' Colin was well pleased indeed to go on to this new and untried work, and he made such rapid progress in it that even Maragliano himself was quite surprised, and said confidentially to Bazzoni more than once, 'The young Englishman will go far. He has the spark of genius in him, my friend; he is a born sculptor.'
It was all so different too in Rome, from London, where Colin had been isolated, unknown, and almost friendless. There was nobody there except Cicolari—and Minna; dear little woman, he had almost omitted her—with whom he could talk on equal terms about his artistic longings and ideas and interests. But at Rome it was all so different. There was such a great society of artists! Every man's studio was open to his fellows; a lively running fire of candid criticism went on continually about every work completed or in progress. To live in such an atmosphere of art, to move amongst it and talk about it all day long, to feast his eyes upon the grand antiques and glorious Michael Angelos of the Vatican—all this was to Colin Churchill as near an approach to unmixed happiness as it is given to human beings to know in this nether world of very mixed experiences. If only he had had Minna with him! But there! Colin Churchill loved art so earnestly and singlemindedly that for its sake he could well endure even a few years' brief absence in Rome away from poor, little, loving, sorrowing Minna.
Gwen meanwhile, in spite of the colonel, had managed to see a great deal from time to time both of Colin and of Audouin. The colonel had indeed peremptorily forbidden her in so many words to hold any further communications of any sort with either of them. Colin, he said, was a person clearly beneath her both in birth and education, while Audouin was the most incomprehensible prig of a Yankee fellow he had ever had the misfortune to set eyes upon in the whole course of his lifetime. But the colonel was one of those forcible-feeble people who are very vehement always in language, but very mild in actual fact; who threaten and bluster a great deal about what they will never do, or what they will never permit, but who do or permit it all the same on the very next occasion when opportunity arises. The consequence was that Gwen, who was a vigorous young lady with a will of her own, never took much serious notice of the colonel when he was in one of his denunciatory humours, but went her own way peacefully, and did as she chose to do herself the very next minute.
Now, at the same hotel where the Howard-Russells were stopping there was a certain Mrs. Wilmer, a lady with two daughters (perfect sticks, Gwen called them), to whom Gwen, being herself alone and motherless, thought it well to attach herself for purposes of society. It's so convenient, you know, to have somebody by way of a chaperon who can take you about and get invitations for you. Happily Mrs. Wilmer, though herself as commonplace a village Lady Bountiful as ever distributed blankets and read good books to the mothers' meeting every Wednesday, was suddenly seized at Rome, under the influence of the genius loci, with a burning desire to know something about art and artists; and Gwen made use of this new-born fancy freely to go round the studios with Mrs. Wilmer, and of course to meet at times with Colin and Audouin.
At last April came, and Audouin, who had been getting very tired of so much city life (for his hermit love for the woods and solitude was only one half affected), began to long once more for the lonely delights of his own beloved solitary Lakeside. He would have been gone long before, indeed, had it not been for a curious feeling which for the first time in his life, he felt growing up within him—Audouin was falling in love with Gwen Howard-Russell. The very first day he ever met her by the Lake of the Thousand Islands, he had greatly admired her frank bold English beauty, and since he had seen a little more of her at Rome, he had found himself insensibly gliding from admiration into a less philosophical and more human attitude. Yes, he had almost made up his mind that before he left Rome, he would ask Gwen whether she would do him the supreme honour of accompanying him back to America as the mistress of Lakeside.
'Papa,' Gwen said, one bright morning in April, 'Mrs. Wilmer wants me to go with her to-day to a picnic at the Lago d'Albano.'
'A picnic!' the colonel cried severely. 'And in the Campagna, too! My dear child, as sure as fate, you'll all get the Roman fever.'
'Albano isn't in the Campagna, papa,' Gwen answered quietly. 'At least it's right up ever so high among the mountains. And Mrs. Wilmer's going to call for me at halfpast eleven.'
'Who gives the picnic?'
Gwen bit her lip. 'Mr. Audouin,' she answered shortly.