'I could get one from Mr. Russell's friends, I should think, sir; and of course my present employer would speak for my honesty and so forth.'
Sir Henry asked him a few more questions, and then seemed to be turning the matter over in his own mind a little. 'The Italian,' he said, speaking to himself—for he had a habit that way, 'the Italian's the great thing. I've made up my mind I'll never go to Rome again with a valet who doesn't speak Italian. Dobbs was impossible, quite impossible. This young man has some Italian, but can he valet, I wonder? Here, you! come into my bedroom, and let me see what you can do in the way of your duties.'
Colin followed him upstairs, and, being put through his paces as a body-servant, got through the examination with decent credit. Next came the question of wages and so forth, and finally the announcement that Sir Henry meant to start for Rome early in October.
'Well, he's a very fair-spoken young man,' Sir Henry said at last, 'and he knows Italian. But it's devilish odd his being a marble-cutter. However, I'll try him. I'll write to your master, Churchill—what's his name—I'll write to him and enquire about you.'
Colin gave him Cicolari's name and address, and Sir Henry noted them deliberately in his pocket-book. 'Very good,' he said; 'I'll write and ask about your character, and if everything's all correct, I shall let you know and engage you.'
Colin found it rather hard to answer 'Thank you, sir;' but it was for Rome and art, and he managed to say it.
CHAPTER XVI. COLIN'S DEPARTURE.
When Minna learnt from Colin that he had finally accepted Sir Henry Wilberforce's situation, her heart was very heavy. She wanted her old friend to do everything that would make him into a great sculptor, of course; but still, say what you will about it, it's very hard to have your one interest in life taken far away from you, and to be left utterly alone and self-contained in the great dreary world of London. Have you ever reflected, dear sir or madam, how terrible is the isolation of a girl in Minna Wroe's position—nay, for the matter of that, of your own housemaid, of cook, or parlour-maid, in that vast, unsympathetic, human ant-hill? Think, for a moment, of the warm human heart within her, suddenly cramped and turned in upon itself by the unspeakable strangeness of everything around her. She has come up from the country, doubtless, to take a 'better' place in London, and there she is thrown by pure chance into one situation or another, with two or three more miscellaneous girls from other shires, having other friends and other interests; and from day to day she toils on, practically alone, among so many unknown, or but officially known, and irresponsive faces. Is it any wonder that, under such circumstances, she looks about her anxiously for some living object round which to twine the tendrils of her better nature?—it may be only a bird, or a cat, or a lap-dog; it may be Bob the postman or policeman Jenkins. We laugh about her young man, whom we envisage to ourselves simply as a hulking fellow and a domestic nuisance; we never reflect that to her all the interest and sympathy of life is concentrated and focussed upon that one single shadowy follower. He may be as uninteresting a slip of a plough-boy, turned driver of a London railway van, as ever was seen in this realm of England; or he may be as full of artistic aspiration and beautiful imaginings as Colin Churchill; but to her it is all the same; he is her one friend and confidant and social environment; he represents in her eyes universal society; he is the solitary unit who can play upon the full gamut of that many-toned and exquisitely modulated musical instrument, her inherited social nature. Take him away, and what is there left of her?—a mere automatic human machine for making beds or grinding out arithmetic for junior classes.