Biographies of Working Men

by Grant Allen

He did not paint very fast. He preferred doing good work to much work—an almost invariable trait of all the best workmen. During the thirty-one years that he worked independently, he produced only eighty pictures—not more, on an average, than two or three a year. Compared with the rate at which most successful artists cover canvas to sell, this was very slow. But then, Millet did not paint mainly to sell; he painted to satisfy his own strict ideas of what constituted the highest art. His pictures are usually very simple in their theme; take, for example, his "Angelus," painted at the height of his fame, in 1867. A man and a woman are working in the fields—two poor, simple-minded, weather-beaten, devout French peasants. It is nightfall; the bell called the "Angelus" rings out from the church steeple, and the two poor souls, resting for a moment from their labours, devote a few seconds to the silent prayers enjoined by their church. That is all; and yet in that one picture the sorrows, the toils, and the consolations of the needy French peasantry are summed up in a single glimpse of a pair of working and praying partners.

Millet died somewhat suddenly in 1875. Strong and hearty as he was, even the sturdy health of the Norman peasant had been undermined by the long hardships of his early struggles, and his constitution gave way at last with comparative rapidity. Still, he had lived long enough to see his fame established, to enjoy ten years of ease and honour, and to find his work cordially admired by all those for whose admiration he could have cared to make an effort. After his death, the pictures and unfinished sketches in his studio were sold for 321,000 francs, a little less than 13,000 pounds. The peasant boy of Greville had at last conquered all the difficulties which obstructed his path, and had fought his own way to fame and dignity. And in so fighting, he had steadily resisted the temptation to pander to the low and coarse taste in art of the men by whom he was surrounded. In spite of cold, and hunger, and poverty, he had gone on trying to put upon his canvas the purer, truer, and higher ideas with which his own beautiful soul was profoundly animated. In that endeavour he nobly succeeded. While too many contemporary French pictures are vicious and sensual in tone and feeling, every one of Millet's pictures is a sermon in colour—a thing to make us sympathize more deeply with our kind, and to send us away, saddened perhaps, yet ennobled and purified.

VI.

JAMES GARFIELD, CANAL BOY.

At the present time, the neighbourhood of Cleveland, Ohio, the busiest town along the southern shore of Lake Erie, may fairly rank as one of the richest agricultural districts in all America. But when Abram Garfield settled down in the township of Orange in 1830, it was one of the wildest and most unpeopled woodland regions in the whole of the United States. Pioneers from the older states had only just begun to make little clearings for themselves in the unbroken forest; and land was still so cheap that Abram Garfield was able to buy himself a tract of fifty acres for no more than 20 pounds. His brother-in-law's family removed there with him; and the whole strength of the two households was immediately employed in building a rough log hut for their common accommodation, where both the Garfields and the Boyntons lived together during the early days of their occupation. The hut consisted of a mere square box, made by piling logs on top of one another, the spaces between being filled with mud, while the roof was formed of loose stone slabs. Huts of that sort are everywhere common among the isolation of the American backwoods; and isolated indeed they were, for the Garfields' nearest neighbours, when they first set up house, lived as far as seven miles away, across the uncleared forest.

When Abram Garfield came to this lonely lodge in the primaeval woodlands, he had one son and one daughter. In 1831, the year after his removal to his new home, a second boy was born into the family, whom his father named James Abram. Before the baby was eighteen months old, the father died, and was buried alone, after the only possible fashion among such solitary settlers, in a corner of the wheat field which he himself had cleared of its stumps. A widow's life is always a hard one, but in such a country and under such conditions it is even harder and more lonely than elsewhere. Mrs. Garfield's eldest boy, Thomas, was only eleven years old; and with the aid of this one ineffectual helper, she managed herself to carry on the farm for many years. Only those who know the hard toil of a raw American township can have any idea what that really means. A farmer's work in America is not like a farmer's work in England. The man who occupies the soil is there at once his own landlord and his own labourer; and he has to contend with nature as nobody in England has had to contend with it for the last five centuries at least. He finds the land covered with trees, which he has first to fell and sell as timber; then he must dig or burn out the stumps; clear the plot of boulders and large stones; drain it, fence it, plough it, and harrow it; build barns for the produce and sheds for the cows; in short, MAKE his farm, instead of merely TAKING it. This is labour from which many strong men shrink in dismay, especially those who have come out fresh from a civilized and fully occupied land. For a woman and a boy, it is a task that seems almost above their utmost powers. Nevertheless, Mrs. Garfield and her son did not fail under it. With her own hands, the mother split up the young trees info rude triangular rails to make the rough snake fences of the country—mere zigzags of wood laid one bit above the other; while the lad worked away bravely at sowing fall and spring wheat, hoeing Indian corn, and building a little barn for the harvest before the arrival of the long cold Ohio winter. To such a family did the future President originally belong; and with them he must have shared those strong qualities of perseverance and industry which more than anything else at length secured his ultimate success in life.

For James Garfield's history differs greatly in one point from that of most other famous working men, whose stories have been told in this volume. There is no reason to believe that he was a man of exceptional or commanding intellect. On the contrary, his mental powers appear to have been of a very respectable but quite ordinary and commonplace order. It was not by brilliant genius that James Garfield made his way up in life; it was rather by hard work, unceasing energy, high principle, and generous enthusiasm for the cause of others. Some of the greatest geniuses among working men, such as Burns, Tannahill, and Chatterton, though they achieved fame, and though they have enriched the world with many touching and beautiful works, must be considered to have missed success in life, so far as their own happiness was concerned, by their unsteadiness, want of self-control, or lack of fixed principle. Garfield, on the other hand, was not a genius; but by his sterling good qualities he nevertheless achieved what cannot but be regarded as a true success, and left an honourable name behind him in the history of his country.

However poor an American township may be, it is seldom too poor to afford its children a moderate and humble education. While James Garfield was still very young, the settlers in the neighbourhood decided to import a schoolmaster, whom they "boarded about" between them, after a fashion very common in rural western districts. The school-house was only a log hut; the master was a lad of twenty; and the textbooks were of the very meagrest sort. But at least James Garfield was thus enabled to read and write, which after all is the great first step on the road to all possible promotion. The raw, uncouth Yankee lad who taught the Ohio boys, slept at Widow Garfield's, with Thomas and James; and the sons of the neighbouring settlers worked on the farm during the summer months, but took lessons when the long ice and snow of winter along the lake shore put a stop almost entirely for the time to their usual labours.

James continued at school till he was twelve years old, and then, his brother Thomas (being by that time twenty-one) went away by agreement still further west to Michigan, leaving young Jim to take his place upon the little farm. The fences were all completed, by this time; the barn was built, the ground was fairly brought under cultivation, and it required comparatively little labour to keep the land cropped after the rough fashion which amply satisfies American pioneers, with no rent to pay, and only their bare living to make out of the soil. Thomas was going to fell trees in Michigan, to clear land there for a farmer; and he proposed to use his earnings (when he got them) for the purpose of building a "frame house" (that is to say, a house built of planks) instead of the existing log hut. It must be added, in fairness, that hard as were the circumstances under which the young Garfields lived, they were yet lucky in their situation in a new country, where wages were high, and where the struggle for life is far less severe or competitive than in old settled lands like France and England. Thomas, in fact; would get boarded for nothing in Michigan, and so would be able easily to save almost all his high wages for the purpose of building the frame house.