'But of all the terrible downfalls which this world encloses for the eye of the attentive and observant spectator, what downfall, I ask, can be more terrible or more ghastly than that inevitable decadence from the golden hopes and aspirations of youth, to the dreary realities and blasted ideals of dishonoured age? For the young man, this prosaic planet floats joyously and lightly down a buoyant atmosphere of purpled clouds; his exuberant fancy gilds the common earth as the dying sunlight gilds the evening waters with broad streets and paths of refulgent glory. To the old man, the sun itself has faded slowly, but hopelessly, out of the twilight heavens: dark and murky fogs, risen from behind the shadows of that unknown future, have obscured and disfigured with their dark exhalations the bright imaginings of his joyous springtide: evil habits, begun in the mere rush of youthful spirits, have clung to and clogged the marred wings of his soul, till at last, disheartened, disgraced, unhonoured and unfriended, he drifts gradually onward down the unrelenting stream of the years to that final cataract where all his hopes, alike of time and of eternity, are doomed to be finally wrecked and confounded together in one unutterable and irretrievable ruin.
'“Nay, think not, young man, that, because you are gay and bright and vital to-day, you will find the path of life throughout as smooth and easy as you find it now at the very start or outset of your appointed pilgrimage. Those juicy fruits that stretch so temptingly by the bosky wayside—those golden apples of the Hesperides that hang so lusciously from the bending boughs—those cool draughts that spring so pellucid from yon welling fountain—those fair nymphs that bid you loiter so often among the roses and eglantines of yon shady bowers—all, all, though they smile so innocent and so attractive, are but deceitful allurements to delay your feet and intoxicate your senses, toils to lead you aside from the straight but thorny road of right and duty into the brighter but deadly track of fatal self-indulgence. Yet, above all things, if you would be wise, O youth! shun that sparkling beaker, which the cunning tempter, like Comus in the masque, holds out to you too enticingly to quench your ardent thirst: quaff it not, though it dance and glitter so merrily in the sunlight, for there is death in the cup; it leads you on slowly and surely to the dishonoured grave; it loses you, one after another, health, wealth, and youth, and friends, and children; it covers you with shame, disgrace, and humiliation, and in the end this, this, this is the miserable plight to which it finally reduces what may once have been a man of birth, of learning, of genius, and of reputation.”' It was a tawdry bit of cheap rhetoric enough, to be sure, penned by Edmund Plantagenet in his palmiest days, when he still cherished his dream of literary greatness, in feeble imitation of De Quincey's rounded and ornate periods; but delivered as Trevor Gillingham knew how to deliver the merest tinsel, with rolling voice and profound intonations of emotion, it struck even those graceless, half-tipsy undergraduates as a perfect burst of the divinest eloquence. They didn't notice at the moment its cheap effectiveness, its muddled metaphors, its utter vulgarity of idea and expression; they were taken unexpectedly by its vivid separate elements, its false gallop of prose, its quick turns of apostrophe, exhortation and sentimentalism, its tricky outer semblance of poetical phraseology. And Gillingham knew how to make the very best of it: pointing now with his left hand upward to the golden apples of the Hesperides hanging from the imaginary branches of trees overhead; now with his right to one side toward the fair nymphs loitering unperceived in their invisible bowers among the Carlsbad plums; and now again with both together downwards towards the awful abyss that he seemed to behold opening unseen upon the carpet before him. And when at last he reached the weak and tawdry climax, 'this, this is the plight to which it finally reduces a man of genius,' he gave fresh point to the words by turning his forefinger relentlessly and reproachfully toward the very author who wrote them, the now fully-awakened and listening dancing-master.
And Edmund Plantagenet himself? Sitting up, half recumbent, upon the bare little sofa, with bloodshot eyes gazing out straight in front of him, he seemed transfixed and spell-bound by the sudden sound of his own young words coming back to him so unexpectedly across the gulf of blighted hopes and forgotten aspirations. Listening eagerly with strained ears to Gillingham's high and measured, cadences, the old man felt for a moment inspired with a new and strange admiration for his own unrecognised eloquence. The phrases, though he remembered them well, seemed to him far finer than when he first had written them—and so indeed they were, transfigured and reduced to a semblance of higher meaning by the practised reciter's stirring elocution. The reciter had produced a deeper effect than he intended. One minute the old man sat there silent after Gillingham had finished, looking round him defiantly with his bloated red face upon those now sobered boys; then, with an unwonted burst of energy and fire, he cried aloud in a tone of suppressed passion:
'Lads, lads, he says the truth! He says the truth! Every word of it. Do you know who wrote that magnificent passage of English rhetoric he has just repeated to you? Do you know who wrote it? It was me, me, me, the last of the Plantagenets! And he knows it. He's been reciting it now to shame and disgrace me in my blighted old age. But, still—he has done wisely. He thought I was past shaming. Lads, lads, I'm not past it. I remember well when I wrote that passage—and many another as fine, or finer. But that's all gone now, and what am I to-day? A miserable drunken old country dancing-master, that a pack of irreverent Oxford boys ask up to their rooms to make fun of him by getting him to drink himself silly. But when I wrote that passage I was young, and full of hope, and an author, and a gentleman. Yes, boys, a gentleman. I knew all the best men and women of my time, and they thought well of me, and prophesied fair things for me not a few. Ah, yes, you may smile, but I remember to-night how Samuel Taylor Coleridge himself took me once by the hand in those days, and laid his honoured palms on my head, and gave me his blessing. And finely it's been fulfilled!' he added bitterly. 'And finely it's been fulfilled—as you see this evening!'
He rose, steady now and straight as an arrow, shaking his long gray hair fiercely off his forehead, and glaring with angry eyes at Trevor Gillingham. 'Come, come,' he said; 'you've had your fun out, boys; you've seen the humiliation of a ruined old man. You've gloated over the end of somebody better to begin with than any one of you is or ever will be, if you live to be twice as old as Methuselah; and now you may go to your own rooms, and sleep your own silly debauch off at your leisure. I will go, too. I have learned something to-night. I have learned that Edmund Plantagenet's spirit isn't as wholly dead or as broken as you thought it, and as he thought it, and I'm glad for my own sake, Mr. Gillingham, to have learned it. Good-night, and good-bye to you all, young gentlemen. You won't have the chance to mock an old man's shame again, if I can help it. But go on as you've begun—go on as you've begun, my fine fellows, and your end will be ten thousand times worse than mine is. Why,' with a burst of withering indignation, 'when I was your age, you soulless, senseless, tipsy young reprobates, I'd have had too much sense of shame, to get my passing amusement out of the pitiable degradation of a man who might fairly have been my grandfather!'
He walked to the door, upright, without flinching, and turned the handle, as sober for the minute as if he hadn't tasted a single glass of sherry. Gillingham, thoroughly frightened now, tried his best to stop him.
'I'm sorry I've hurt your feelings, Mr. Plan-tagenet,' he stammered out, conscious even as he spoke how weak and thin were his own excuses by the side of the old man's newly-quickened indignation. 'I—I didn't mean to offend you. I wanted to see—to see what effect a few of your own powerful words and periods would produce upon you, falling so unexpectedly on your ear in a society where you probably imagined you had never been heard of. I—I intended it merely as a delicate compliment.'
Edmund Plantagenet answered him never a word, but with a profound bow that had nothing of the dancing-master in it, but a great deal of the angry courtesy of fifty years since, shut the door sternly in his face, and turned to descend the winding stone staircase.
'I'm afraid we've done it now, Faussett,' Trevor Gillingham exclaimed, with a very white face, turning round to the awed and silent company. 'I hope to goodness he won't go and do himself some mischief!'
'Too drunk for that,' Faussett answered carelessly. 'By the time he's got downstairs he'll forget all about it, and reel home to his lodgings as well as he can; he'll never remember a word to-morrow morning.'