Above it, 92 and 92A. Portraits of the Micaul family.
105. J. Joest: St. Anne enthroned, Joseph, Our Lady, the Infant. Early transitional.
193. Jean Gossaert, Adam and Eve. Good later Flemish nude.
50. J. Bosch: Appalling Flemish Temptation of St. Anthony, with perhaps the silliest and most grotesquely repulsive devils ever painted.
2. Aertsen: *The Dutch Cook. A famous picture, showing well the earlier stages of Dutch genre development.
217. Van Hemessen: Genre piece, absurdly given the name of The Prodigal Son, by a sort of prescription, but really a Flemish tavern scene of the sort which afterwards appealed to Dutch artists. A characteristic work: transitional, but with good humorous faces, especially to the right. Painters still thought all pictures must pretend to be sacred.
591. German Adoration of the Magi. A fragment only.
603. Herri met de Bles: The Temptation of St. Anthony. Figures and landscape show Italian influence.
336. Transitional Adoration of the Shepherds. Observe the growing Renaissance feeling and Italian influence.
247, 248. Excellent portraits by Adrien Key.