opposite, also contains later Italian pictures, with a few French.
472 is a Martyrdom of St. Mark, by Tintoretto.
497 is a Holy Family by Paolo Veronese, with St. Theresa and St. Catherine.
The other works in the room do not call for notice.
Passage leading into Room VI.
Skied. 477. Perugino: Madonna and Child, with the infant St. John of Florence, in a frame of Delia Robbia work. This is one of the best Italian pictures in this Gallery, but not a good example. Near it, School of Mantegna, Christ and St. Thomas with St. John the Baptist.
If you want further information about the pictures in the Brussels Gallery, you will find it in Lafenestre and Richtenberger’s La Belgique, in the series of La Peinture en Europe.
CATHEDRAL OF BRUSSELS