In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour, which mounts directly from the Grand’ Place to the Cour (the residence of the Dukes or afterwards of the Emperors and the Austrian Viceroys), still remains the principal street for shopping in Brussels. It takes one straight into the Place Royale, one of the finest modern squares in Europe, occupying in part the site of the old Castle. Its centre is filled by the famous *statue of Godfrey de Bouillon by Simonis: the great Crusader is represented on horseback, waving his banner, and crying his celebrated cry of “Dieu le veut!” The unimpressive Church, with Corinthian pillars, a crude fresco in the pediment, and a green cupola, which faces you as you enter, is St. Jacques sur Caudenberg. To R. and L. you open up vistas of the Rue de la Régence and the Rue Royale. The former is closed by the huge mass of the new Palais de Justice. The latter ends in the great domed church of Ste. Marie de Schaerbeck.
In order to gain a proper conception of the Upper Town, one of the best-arranged in Europe, you must take the Place Royale and the Ancienne Cour (just below it) as your starting-point. The Place, the Park, and the streets about them were all laid out, under Austrian rule, at the end of the 18th century (1774) by the architect Guimard, who thus made Brussels into the handsome town we now see it. Turning to the R. from the Place Royale, towards the Rue de la Régence, you come first to the gateway of a courtyard, guarded by sentinels. Disregarding these, push past them into the court as if the place belonged to you. The quadrangle you have entered is the site of the old Palace of the Dukes of Brabant, for which the present building, known as the Ancienne Cour, was substituted by the Austrian Stadtholders in 1731 after the great fire. The first building to your L. is occupied by the Royal Museum and Library. The portion of the building at the end of the court, in a semi-circular recess, contains the Modern Picture Gallery (open daily from 10 to 4, free). In this gallery are collected the chief works of the modern Belgian School of Painters, which the tourist should not omit to study, but a full description of which lies wholly outside the scope of these Guide Books.
[This modern Belgian School was started in Antwerp, after the Revolution of 1830. It answered at first to the romantic movement in France (headed by Delaroche, Géricault, and others:) but the Belgian painters dealt mainly in historical pictures drawn from the struggles for liberty in their own country. The most distinguished of these “romantic” Belgian artists were Louis Gallait and Edouard de Bièfve, whose chief national works are to be seen in this gallery. Though they belong to a type which now strikes us as mannered and artificial, not to say insipid, they may help to impress historical facts on the spectator’s memory. A very different side of the national movement will meet us at Antwerp. The later Belgian School has been gradually swamped by Parisian tendencies.]
Returning to the Place Royale, and continuing along the Rue de la Régence, the first building on the L. closed with a grille, is the Palace of the Comté de Flandre. Nearly opposite it (with four granite pillars) is the Palais des Beaux-Arts, containing the Ancient Pictures (already noticed). Further on to the R. we arrive at the church of Notre-Dame-des-Victoires (“Église du Sablon”), to be described in detail hereafter. The pretty and coquettish little garden on the L. is the Square or Place du Petit Sablon. It contains a modern monument to Counts Egmont and Hoorn, the martyrs of Belgian freedom, by Fraikin, and is worth a visit. The little statuettes on the parapet of the square represent artisans of the old Guilds of Brussels. The building at the back of the Place is the Palace of the Duke d’Arenberg: its central part was Count Egmont’s mansion (erected 1548). Further on, to the L., come the handsome building of the Conservatoire de Musique and then the Jewish Synagogue. The end of the street is blocked by the gigantic and massive façade of the new Palais de Justice, one of the hugest buildings of our period, imposing by its mere colossal size and its almost Egyptian solidity, but not architecturally pleasing. The interior need not trouble you.
Northward from the Place Royale, again, stretches the Rue Royale, along which, as we walk, we have ever before us the immense gilt dome of Ste. Marie de Schaerbeck. This fine street was admirably laid out in 1774 by the architect Guimard, who was the founder of the modern plan of Brussels. It is a fine promenade, along the very edge of the hill, beautifully varied, and affording several attractive glimpses over the earlier town by means of breaks in the line of houses, left on purpose by Guimard, some of which have, however, been unfortunately built up. Starting from the Place Royale, we have first, on our R., the Hôtel Bellevue; beyond which, round the corner, facing the Park, extends the unprepossessing white façade of the King’s Palace (18th century, rebuilt). Then, again on the R., we arrive at the pretty little Park, laid out by Guimard in 1774, on the site of the old garden of the Dukes of Brabant. This is a pleasant lounging-place, animated in the afternoon, when the band plays. It contains ponds, sculpture, nursemaids, children, and one of the principal theatres.
Continuing still northward, we pass the Statue of Belliard, in the first break, and then the Montagne du Parc, L., leading direct to the Lower Town. At the end of the Park, the Rue de la Loi runs R., eastward, towards the Exhibition Buildings. The great block of public offices in this street, facing the Park, includes the Chamber of Representatives (Palais de la Nation) and the principal Ministries. Beyond these we get, on the L., a glimpse of the Cathedral, and on the R. a number of radiating streets which open out towards the fashionable Quartier Léopold. Then, on the L., we arrive at the Place du Congrès with its Doric column, commemorating the Congress which ratified the Independence in 1831. It can be ascended (193 steps, spiral) for the sake of its admirable *view, the best general outlook to be obtained over Brussels. (A few sous should be given to the guardian.) The prospect from the summit (morning light best) will enable you to identify every principal building in the city (good map by Kiessling, 72, Montagne de la Cour).
Continuing our route, the street to the R. leads to the little Place de la Liberté. Beyond this, the Rue Royale goes on to the Outer Boulevards, and finally ends at Ste. Marie de Schaerbeck, a gigantic modern Byzantine church, more splendid than beautiful, but a good termination for an afternoon ramble.
The Outer Boulevards of Brussels, which ring round the original 14th century city, have now been converted into magnificent promenades, planted with trees, and supplied with special lanes for riders. These Boulevards, perhaps the handsomest in the world, replace the ancient walls, erected in 1357-1379, when the town had already reached such considerable limits. Most of what is interesting or important in Brussels is still to be found within the irregular pentagonal ring of the Boulevards. A pleasant way of seeing the whole round is to take the electric tram, from the Gare du Nord, by the Upper Boulevards, to the Gare du Midi. You first mount the steep hill, with the Botanical Gardens on your L., backed by the extensive hot-houses. The line then crosses the Rue Royale, looking L. towards Ste. Marie de Schaerbeck, and R. towards the Place Royale. As you turn the corner, you have on your L. a small triangular garden, and on your R. the circular Place des Barricades, with a statue of the great anatomist Vesalius, physician to Charles V., and an indirect victim of the Inquisition. The rail then bends round the Boulevard du Régent, with glimpses (to the R.) of the Park, and (to the L.) of the Squares in the Quartier Léopold. You next pass, R., the Palais des Académies, in its neatly kept garden, beyond which you arrive at the private gardens of the Royal Palace and the Place du Trône. Hence you continue to the Place de Namur and the Fontaine de Brouckere, and continue on to the Place Louise, at which point the open Avenue Louise leads direct to the pleasant Bois de la Cambre. The Boulevard de Waterloo carries you on to the Porte de Hal, the only one of the old gateways still standing. This is a massive fortress of irregular shape, built in 1381, and it was used by the Spanish authorities in the time of Alva as the Bastille of Brussels. The interior (open free, daily) contains a fine winding staircase and a small collection of arms and armour, with a little Ethnographical Museum, which is worth ten minutes’ visit in passing. Hence, the Boulevard du Midi conducts you straight to the Gare du Midi, from which point you can return, on foot or by tram, through the Inner Boulevards or diagonally through the old town, to your hôtel.