Right of the door,
224. Justus of Ghent: a bland old pope, probably St. Gregory, holding a monstrance, between two angels. In the background, a curious altar-piece, with the Annunciation, Nativity, Adoration of the Magi, Flight into Egypt, Presentation in the Temple, and Finding of Christ in the Temple. Above it, two female saints (or figures of Our Lady?). A good work, in an early dry manner.
Above it, 463. Madonna and Child, by Van Orley: the landscape by Patinier. From a tomb in the Cathedral.
383. Van der Meire. Triptych from an altar; Centre, Way to Calvary, with St. Veronica offering her napkin, and brutal, stolid Flemish soldiers bearing the hammer, etc. In the background, the Flight into Egypt. The wings have been transposed. L., (should be R.), the Finding of Christ in the Temple. R. (should be L.), the Presentation in the Temple.
Above it, 380. Van den Broeck (1530-1601): a Last Judgment. Interesting for comparison with previous examples. Renaissance nude.
557. Unknown. Dutch School of the early 16th century. The Tiburtine Sibyl showing the Emperor Augustus the apparition of the Virgin and Child on the Aventine. A page, his robe embroidered with his master’s initial A., holds the Emperor’s crown. Very Dutch architecture. (The Catalogue, I think erroneously, makes it the Madonna appearing to Constantine.)
560. Good hard early Dutch portrait.
527. Unknown. Resurrection, the Saviour, bearing the white pennant, with red cross, and sleeping Roman soldiers.
42. An Adam and Eve, attributed to Cranach the Elder. Harsh northern nude.
341. Good portrait by Susterman, alias Lambert Lombard.