113. Frans Floris: Adoration of the Shepherds. Note persistence of formal elements from old School, with complete transformation of spirit.
663. Floris: Judgement of Solomon.
112. Frans Floris’s horrible St. Michael conquering the devils; the most repulsive picture by this repulsive and exaggerated master.
Right and left of it, good late Flemish portraits of donors.
483. Portrait by Van Veen, Rubens’s master.
Room E
contains chiefly works of the school of Rubens, most of which can now be satisfactorily comprehended by the reader without much explanation. I will therefore treat them briefly.
Left of the door,
82. A Nativity, by De Vos. Can be instructively compared with earlier examples.
57. Good 17th century landscape.