CHAPTER XXVII
AULD LANG SYNE
A week or two later, one bright spring afternoon, Will was strolling by himself down the sunny side of Bond Street. All the world was there—for the world was in town—and the pavements were crowded. But Will moved through the stream of well-dressed dawdlers, seeing and hearing little. In the midst of all that idle throng, his head was full of melodies; he was working up rhymes to ready-made tunes, undisturbed by the hubbub and din of London. Of a sudden, somebody stopped and stood straight in front of him. “Mr Deverill, I believe!” a tuneful voice said, brusquely. Will’s eyes returned at once from heaven to earth, and saw standing before them—a tall young man, of somewhat defiant aspect, dressed in the black frock coat and shiny silk hat of Metropolitan respectability.
Will paused, and surveyed him. He was a good-looking young man, with much swagger in his air, and a black moustache on his upper lip; but his face seemed somehow strangely familiar to Will, while his voice stirred at once some latent chord in the dim depths of his memory. But he wasn’t one of Will’s fine London acquaintances—the poet saw that much at once by the cheap pretentiousness of his coat and hat, the flaring blue of his made-up silk tie, the obtrusive glitter of the false diamond pin which adorned its centre. The stranger’s get-up, indeed, was redolent of the music halls. Yet he was handsome for all that, with a certain strange air of native distinction, not wholly concealed by the vulgar tone of his costume and his solicitous jewellery. Will held out his hand with that dubitative air which we all of us display in the first moment of uncertainty towards half-recognised acquaintances.
“I see you have forgotten me, zen,” the stranger said, in very decent English, drawing himself up with great dignity, and twirling his black moustache airily between one thumb and forefinger. “It is long, to be sure, since we met in ze Tyrol. And I have changed much since zen, no doubt: I have mixed with ze world; I have grown what you call in English cosmopolitan. But I see it comes back; I see you remember me now; my voice recalls it to you.”
Will grasped his hand more cordially. “Yes, perfectly, when you speak,” he said; “though you are very much changed indeed, as you say; but I see you’re Franz Lindner.”
“Yes; I’m Mr Franz Lindner,” the stranger replied, half-imperceptibly correcting him—for it was indeed the Robbler. Will scanned him from head to foot, and took him in at a glance. He was a fiery young man still, and his mien, as of old, was part fierce, part saucy. But, oh, what a difference the change of dress had made in him! No conical hat, no blackcock’s feather now, whether “turned” or otherwise. In his Tyrolese costume, with his rifle in his hand, and his cartridges at his side, Franz Lindner had looked and moved of yore a typical Alpine jäger. But, in black frock-coat and shiny tall hat, strolling like a civilised snob that he was down the flags of Bond Street, all the romance and poetry had faded utterly out of him. The glamour was gone. He looked and moved for all the world to-day like any other young man of the baser mock-swell sort, dressed up in his Sunday best to lounge and ogle and bandy vulgar chaff in Burlington Arcade with his predestined companions.
“Why, what has brought you to London, then?” Will asked, much astonished.
“Art, art,” the transfigured Robbler responded, offhand, with inimitable swagger. “You must surely zen know my stage name, zough you don’t seem to have heard me.” He pulled out a printed card, and handed it to Will with a flourish. “I am ze Signor Francesco,” he continued, “all ze world is talking about.” And he threw back his chin and cocked his head on one side, looking, even as he spoke, more pretentious than ever.