They drew aside to a round table for their unfinished gossip. “You’re not in town often, I suppose,” the Tyroler began, scanning his companion from head to foot with a critical scrutiny.
“Why, I live here,” Will answered, taken aback—“in Craven Street, Strand; I’ve always lived here.”
“Oh, indeed,” the Robbler responded, with a somewhat superior air; “I sought from your costume you’d just come up from ze country.”
Will smiled good-humouredly. He was wearing, in point of fact, a soft slouch hat and a dusty brown suit of somewhat poetical cut, which contrasted in more ways than one with the music-hall singer’s too elaborate parody of the glossy silk chimney-pot and regulation frock-coat of the orthodox Belgravian.
Then Franz came back at a bound to the subject he had quitted on the flags of Piccadilly. He explained, with much circumlocution and many needless expletives, how he had heard from time to time, through common friends at St Valentin, that Andreas Hausberger and his wife had fluctuated of late years between summer at Munich, Leipzig, Stuttgart, and winter at Milan, Florence, Naples, Venice. Linnet got on with him very well—oh, very well indeed—yes; Linnet, you know, was just the sort of girl to get on very well with pretty nearly anyone. No doubt by this time she’d settled down into tolerably amicable relations with Andreas Hausberger! Any children? Oh dear, no; Hausberger’d take care of that; a public singer’s time is far too valuable to be wasted on the troubles of a growing young family. Had she come out yet? Well, yes; that is to say, from time to time she’d sung at concerts in Munich, Florence, and elsewhere. Successfully? Of course; she’d a very good voice, as voices go, for her sort, and training was sure to do something at least for it. Franz had heard rumours she was engaged next season for San Carlo at Naples; you might count upon Hausberger’s doing his very best, now he’d invested his savings in preparing her for the stage, to make money out of his bargain.
Through all Franz said, however, there ran still, as of yore, one constant thread of undying hatred to the man who had outwitted him at Meran and St Valentin. “Then you haven’t forgiven him yet?” Will inquired at last, after one such spiteful allusion to Andreas’s meanness.
The Robbler’s hand moved instinctively of itself to his left breast pocket. He had changed his coat, but not his customs. “I carry it here still,” he answered, with the same old defiant air, just defining with finger and thumb the vague outline of the knife that bulged between them through the glossy broadcloth. “It’s always ready for him. Ze day I meet him—” and he stopped short suddenly, with a face like a bulldog’s.
“You Tyrolers have long memories,” Will answered, with a little shudder. “It’s very unfashionable you know, to stab a rival in London.”
Franz showed his handsome teeth. “Unfashionable or not,” he replied, with a shrug, “it is so I was born; it is so I live ever. As we say in ze song, I am made zat way. I cannot help it. I never forget an injury. . . . Zough, mind you,” he continued, after a telling little pause, during which he drove many times an imaginary knife into an invisible enemy, “it isn’t so much now zat I grudge him Linnet. Let him keep his fine Frau. Zere are better girls in ze world, you and I have found out, zan Lina Telser—to-day Frau Hausberger. We were younger zen; we are men of ze world now; we know higher sings, I sink, zan a Zillerthal sennerin. What I feel wis him at present is not so much zat he took away ze girl, as zat he played me so mean a trick to take her.”
Will smiled to himself in silence. How strangely human feelings and ideas differ! He himself had never forgotten the beautiful alp-girl with the divine voice; in the midst of London drawing-rooms he never ceased to miss her; while Franz Lindner thought he had left Linnet far, far behind, since he became acquainted with those higher and nobler types, the music-hall stars of the London Pavilion! “There’s no accounting for tastes,” people say; oh, most inept of proverbs! surely it’s easy for anyone to account for the reasons which made Linnet appear so different now in Franz Lindner’s eyes and in her English poet’s.