‘Personally,’ Uta answered, ‘I should prefer Mr. Oswald. To live always with Mr. Le Breton would be like living with an abstraction. No woman would ever care for him; she might just as well marry Spinoza’s Ethics or the Ten Commandments. He’s a perfect model of a socialist, and nothing else. Mr. Oswald has some human nature in him as well.’
‘There are two kinds of socialists,’ said Herr Max, bending once more over his glasses; ‘the one kind is always thinking most of its rights; the other kind is always thinking most of its duties. Oswald belongs to the first, Le Breton to the second. I’ve often observed it so among men of their two sorts. The best socialists never come from the bourgeoisie, nor even from the proletariate; they come from among the voluntarily déclassés aristocrats. Your workman or your bourgeois who has risen, and who interests himself in social or political questions, is always thinking, “Why shouldn’t I have as many rights and privileges as these other people have?” The aristocrat who descends is always thinking, “Why shouldn’t these other people have as many rights and privileges as I have?” The one type begets aggressive self-assertion, the other type begets a certain gentle spirit of self-effacement. You don’t often find men of the aristocratic class with any ethical element in them—their hereditary antecedents, their breeding, their environment, are all hostile to it; but when you do find them, mark my words, Uta, they make the truest and most earnest friends of the popular cause of any. Their sympathy and interest in it is all unselfish.’
‘And yet,’ Uta answered firmly, ‘I still prefer Mr. Oswald. And if you care for my opinion, I should say that the aristocrat does all the dreaming, but the bourgeois does all the fighting; and that’s the most important thing practically, after all.’
An hour later, Ernest was talking his future plans over with his brother Ronald. Would it be best for Ronald that he should take a mastership, and both should live together, or that he should go for the present to the Exmoors’, and leave the question of Ronald’s home arrangements still unsettled?
‘It’s so good of you to think of me in the matter, Ernest,’ Ronald said, pressing his hand gently; ‘but I don’t think I ought to go away from mother before I’m twenty-one. To tell you the truth, Ernest, I hardly flatter myself she’d be really sorry to get rid of me; I’m afraid I’m a dreadful thorn in her side at present; she doesn’t understand my ways, and perhaps I don’t sympathise enough with hers; but still, if I were to propose to go, I feel sure she’d be very much annoyed, and treat it as a serious act of insubordination on my part. While I’m a minor, at least, I ought to remain with her; the Apostle tells us to obey our parents, in the Lord; and as long as she requires nothing from me that doesn’t involve a dereliction of principle I think I must bear with it, though I acknowledge it’s a cross, a heavy cross. Thank you so much for thinking of it, dearest Ernest.’ And his eyes filled once more with tears as he spoke.
So it was finally arranged that for the present at least Ernest should accept Lady Exmoor’s offer, and that as soon as Ronald was twenty-one he should look about for a suitable mastership, in order for the two brothers to go immediately into rooms together. Lady Le Breton was surprised at the decision; but as it was in her favour, she wisely abstained from gratifying her natural desire to make some more uncomplimentary references to the snuffy old German socialist. Sufficient unto the day was the triumph thereof; and she had no doubt in her own mind that if once Ernest could be induced to live for a while in really good society the well-known charms and graces of that society must finally tame his rugged breast, and wean him away from his unaccountable devotion to those horrid continental communists.
CHAPTER VIII. — IN THE CAMP OF THE PHILISTINES.
Dunbude Castle, Lord Exmoor’s family seat, stands on the last spurs of the great North Devon uplands, overlooking the steep glen of a little boulder-encumbered stream, and commanding a distant view of the Severn Sea and the dim outlines of the blue Welsh hills beyond it. Behind the house, a castle only by courtesy (on the same principle as that by which every bishop lives in a palace), rises the jagged summit of the Cleave, a great weather-worn granite hill, sculptured on top by wind and rain into those fantastic lichen-covered pillars and tora and logans in which antiquarian fancy used so long to find the visible monuments of Druidical worship. All around, a wide brown waste of heather undulates and tosses wildly to the sky; and on the summit of the rolling moor where it rises and swells in one of its many rounded bosses, the antlered heads and shoulders of the red deer may often be seen etched in bold relief against the clear sky-line to the west, on sunny autumn evenings. But the castle itself and the surrounding grounds are not planned to harmonise with the rough moorland English scenery into whose midst they were unceremoniously pitchforked by the second earl. That distinguished man of taste, a light of the artistic world in his own day, had brought back from his Grand Tour his own ideal of a strictly classical domestic building, formed by impartially compounding a Palladian palace, a Doric temple, and a square redbrick English manor-house. After pulling down the original fourteenth-century castle, he had induced an eminent architect of the time to conspire with him in giving solid and permanent reality to this his awful imagining; and when he had completed it all, from portico to attic, he had extorted even the critical praise of Horace Walpole, who described it in one of his letters as a ‘singular triumph of classical taste and architectural ingenuity.’ It still remains unrivalled in its kind, the ugliest great country-seat in the county of Devon—some respectable authorities even say in the whole of England.