Jane went on talking to me still for many minutes about the scene:
“Ah, yes; that was just how he lay, poor dear gentleman! And the book on the chair, too! Well, did you ever in your life see anything so like! And to think it was taken all by itself, as one might say, by magic. But there! your poor papa was a wonderful clever man. Such things as he used to invent! Such ideas and such machines! We were sorry for him, though we always thought, to be sure, he was dreadful severe with you, Miss Una. Such a gentleman to have his own way, too—so cold and reserved like. But one mustn’t talk nothing but good about the dead, they say. And if he was a bit hard, he was more than hard treated for it in the end, poor gentleman!”
It interested me to get these half side-lights on my father’s character. Knowing nothing of him, as I did, save the solitary fact that he was the white-haired gentleman I saw dead in my Picture, I naturally wanted to learn as much as I could from this old servant of ours as to the family conditions.
“Then you thought him harsh, in the servants’-hall?” I said tentatively to Jane. “You thought him hard and unbending?”
“Well, there, Miss,” Jane ran on, putting a cushion to my back tenderly—it was strange to be the recipient of so much delicate attention from a perfect stranger,—“not exactly what you’d call harsh to us ourselves, you know: he was a good master enough, as long as one did what was ordered, though he was a little bit fidgetty. But to you, we all thought he was always rather hard. People said so in Woodbury. And yet, in a way, I don’t know how it was, he always seemed more’n half afraid of you. He was careful about your health, and spoiled and petted you for that; yet he was always pulling you up, you know, and looking after what you did: and for one thing, I remember, there’s many a time you were sent to bed when you were a good big girl for nothing on earth else but because he heard you talking to us in the hall about Australia.”
“Talking to you about Australia!” I cried, pricking my ears. “Why, what harm was there in that? Why on earth didn’t he want me to talk about Australia?”
“Ah! what harm indeed?” Jane echoed blandly. “That’s what we often used to say among ourselves downstairs. But Mr. Callingham, he was always that way, miss—so strict and particular. He said he’d forbidden you to say a word to anybody about that confounded country; and you must do as you were told. He seemed to have a grudge against Australia, though it was there he made his money. And he always would have his own way, your father would.”
While she spoke, I looked hard at the white head in the photograph. Even as I did so, a thought occurred to me that had never occurred before. Both in my mental Picture, and in looking at the photograph when I saw it first, the feeling that was uppermost in my mind was not sorrow, but horror. I didn’t think with affection and regret and a deep sense of bereavement about my father’s murder. The emotional accompaniment that had stamped itself upon the very fibre of my soul, was not pain but awe. I think my main feeling was a feeling that a foul crime had taken place in the house, not a feeling that I had lost a very dear and near relative. Rightly or wrongly, I drew from this the inference, which Jane’s gossip confirmed, that I had probably rather feared than loved my father.
It was strange to be reduced to such indirect evidence on such a point as that; but it was all I could get, and I had to be content with it.
Jane, leaning over my shoulder, looked hard at the photograph too. I could see her eyes were fixed on the back of the man who was seen disappearing through the open window. He was dressed like a gentleman, in knickerbockers and jacket, as far as one could judge; for the evening light rather blurred that part of the picture. One hand was just waved, palm open, behind him. Jane regarded it hard. Then she gave an odd little start: