Just at that moment old Mary Long came out of her cottage to speak with the young parson. "If ye plaze, Maister Dene," she said in her native west-country dialect, "our Nully would like to zee 'ee. She's main ill to-day, zur, and she be like to die a'most, I'm thinking."
"Poor child, poor child," said Walter Dene tenderly. "She's a dear little thing, Mrs. Long, is your Nellie, and I hope she may yet be spared to you. I'll come and see her at once, and try if I can do anything to ease her."
He crossed the road compassionately with the tottering old grandmother, giving her his helping hand over the kerbstone, and following her with bated breath into the close little sick-room. Then he flung open the tiny casement with its diamond-leaded panes, so as to let in the fresh summer air, and picked a few sprigs of sweet-briar from the porch, which he joined with the geranium from his own button-hole to make a tiny nosegay for the bare bedside. After that, he sat and talked awhile gently in an undertone to pale, pretty little Nellie herself, and went away at last promising to send her some jelly and some soup immediately from the vicarage kitchen.
"She's a sweet little child," he said to himself musingly, "though I'm afraid she's not long for this world now; and the poor like these small attentions dearly. They get them seldom, and value them for the sake of the thoughtfulness they imply, rather than for the sake of the mere things themselves. I can order a bottle of calf's-foot at the grocer's, and Carter can set it in a mould without any trouble; while as for the soup, some tinned mock-turtle and a little fresh stock makes a really capital mixture for this sort of thing. It costs so little to give these poor souls pleasure, and it is a great luxury to oneself undeniably. But, after all, what a funny trade it is to set an educated man to do! They send us up to Oxford or Cambridge, give us a distinct taste for Æschylus and Catullus, Dante and Milton, Mendelssohn and Chopin, good claret and olives farcies, and then bring us down to a country village, to look after the bodily and spiritual ailments of rheumatic old washerwomen! If it were not for poetry, flowers, and Christina, I really think I should succumb entirely under the infliction."
"He's a dear, good man, that he is, is young passon," murmured old Miry Long as Walter disappeared between the elm trees; "and he do love the poor and the zick, the same as if he was their own brother. God bless his zoul, the dear, good vulla, vor all his kindness to our Nully."
Halfway down the main lane Walter came across Christina Eliot. As she saw him she smiled and coloured a little, and held out her small gloved hand prettily. Walter took it with a certain courtly and graceful chivalry. "An exquisite day, Miss Eliot," he said; "such a depth of sapphire in the sky, such a faint undertone of green on the clouds by the horizon, such a lovely humming of bees over the flickering hot meadows! On days like this, one feels that Schopenhauer is wrong after all, and that life is sometimes really worth living."
"It seems to me often worth living," Christina answered; "if not for oneself, at least for others. But you pretend to be more of a pessimist than you really are, I fancy, Mr. Dene. Any one who finds so much beauty in the world as you do can hardly think life poor or meagre. You seem to catch the loveliest points in everything you look at, and to throw a little literary or artistic reflection over them which makes them even lovelier than they are in themselves."
"Well, no doubt one can increase one's possibilities of enjoyment by carefully cultivating one's own faculties of admiration and appreciation," said the curate thoughtfully; "but, after all, life has only a few chapters that are thoroughly interesting and enthralling in all its history. We oughtn't to hurry over them too lightly, Miss Eliot; we ought to linger on them lovingly, and make the most of their potentialities; we ought to dwell upon them like "linked sweetness long drawn out." It is the mistake of the world at large to hurry too rapidly over the pleasantest episodes, just as children pick all the plums at once out of the pudding. I often think that, from the purely selfish and temporal point of view, the real value of a life to its subject may be measured by the space of time over which he has managed to spread the enjoyment of its greatest pleasures. Look, for example, at poetry, now."
A faint shade of disappointment passed across Christina's face as he turned from what seemed another groove into that indifferent subject; but she answered at once, "Yes, of course one feels that with the higher pleasures at least; but there are others in which the interest of plot is greater, and then one looks naturally rather to the end. When you begin a good novel, you can't help hurrying through it in order to find out what becomes of everybody at last."
"Ah, but the highest artistic interest goes beyond mere plot interest. I like rather to read for the pleasure of reading, and to loiter over the passages that please me, quite irrespective of what goes before or what comes after; just as you, for your part, like to sketch a beautiful scene for its own worth to you, irrespective of what may happen to the leaves in autumn, or to the cottage roof in twenty years from this. By the way, have you finished that little water-colour of the mill yet? It's the prettiest thing of yours I've ever seen, and I want to look how you've managed the light on your foreground."