I went to bed that night, in my hammock on deck, with feelings far from satisfactory. We were moored against the bank at Abu Yilla, the most pestiferous hole between the cataracts and the Delta. The mosquitoes were worse than the ordinary mosquitoes of Egypt, and that is saying a great deal. The heat was oppressive even at night, and the malaria from the lotus beds rose like a palpable mist before my eyes. Above all, I was getting doubtful whether Editha Fitz-Simkins might not after all slip between my fingers. I felt wretched and feverish: and yet I had delightful interlusive recollections, in between, of that lovely little Gháziyah, who danced that exquisite, marvellous, entrancing, delicious, and awfully oriental dance that I saw in the afternoon.
By Jove, she was a beautiful creature. Eyes like two full moons; hair like Milton's Penseroso; movements like a poem of Swinburne's set to action. If Editha was only a faint picture of that girl now! Upon my word, I was falling in love with a Gháziyah!
Then the mosquitoes came again. Buzz—buzz—buzz. I make a lunge at the loudest and biggest, a sort of prima donna in their infernal opera. I kill the prima donna, but ten more shrill performers come in its place. The frogs croak dismally in the reedy shallows. The night grows hotter and hotter still. At last, I can stand it no longer. I rise up, dress myself lightly, and jump ashore to find some way of passing the time.
Yonder, across the flat, lies the great unopened Pyramid of Abu Yilla. We are going to-morrow to climb to the top; but I will take a turn to reconnoitre in that direction now. I walk across the moonlit fields, my soul still divided between Editha and the Gháziyah, and approach the solemn mass of huge, antiquated granite-blocks standing out so grimly against the pale horizon. I feel half awake, half asleep, and altogether feverish: but I poke about the base in an aimless sort of way, with a vague idea that I may perhaps discover by chance the secret of its sealed entrance, which has ere now baffled so many pertinacious explorers and learned Egyptologists.
As I walk along the base, I remember old Herodotus's story, like a page from the "Arabian Nights," of how King Rhampsinitus built himself a treasury, wherein one stone turned on a pivot like a door; and how the builder availed himself of this his cunning device to steal gold from the king's storehouse. Suppose the entrance to the unopened Pyramid should be by such a door. It would be curious if I should chance to light upon the very spot.
I stood in the broad moonlight, near the north-east angle of the great pile, at the twelfth stone from the corner. A random fancy struck me, that I might turn this stone by pushing it inward on the left side. I leant against it with all my weight, and tried to move it on the imaginary pivot. Did it give way a fraction of an inch? No, it must have been mere fancy. Let me try again. Surely it is yielding! Gracious Osiris, it has moved an inch or more! My heart beats fast, either with fever or excitement, and I try a third time. The rust of centuries on the pivot wears slowly off, and the stone turns ponderously round, giving access to a low dark passage.
It must have been madness which led me to enter the forgotten corridor, alone, without torch or match, at that hour of the evening; but at any rate I entered. The passage was tall enough for a man to walk erect, and I could feel, as I groped slowly along, that the wall was composed of smooth polished granite, while the floor sloped away downward with a slight but regular descent. I walked with trembling heart and faltering feet for some forty or fifty yards down the mysterious vestibule: and then I felt myself brought suddenly to a standstill by a block of stone placed right across the pathway. I had had nearly enough for one evening, and I was preparing to return to the boat, agog with my new discovery, when my attention was suddenly arrested by an incredible, a perfectly miraculous fact.
The block of stone which barred the passage was faintly visible as a square, by means of a struggling belt of light streaming through the seams. There must be a lamp or other flame burning within. What if this were a door like the outer one, leading into a chamber perhaps inhabited by some dangerous band of outcasts? The light was a sure evidence of human occupation: and yet the outer door swung rustily on its pivot as though it had never been opened for ages. I paused a moment in fear before I ventured to try the stone: and then, urged on once more by some insane impulse, I turned the massive block with all my might to the left. It gave way slowly like its neighbour, and finally opened into the central hall.
Never as long as I live shall I forget the ecstasy of terror, astonishment, and blank dismay which seized upon me when I stepped into that seemingly enchanted chamber. A blaze of light first burst upon my eyes, from jets of gas arranged in regular rows tier above tier, upon the columns and walls of the vast apartment. Huge pillars, richly painted with red, yellow, blue, and green decorations, stretched in endless succession down the dazzling aisles. A floor of polished syenite reflected the splendour of the lamps, and afforded a base for red granite sphinxes and dark purple images in porphyry of the cat-faced goddess Pasht, whose form I knew so well at the Louvre and the British Museum. But I had no eyes for any of these lesser marvels, being wholly absorbed in the greatest marvel of all: for there, in royal state and with mitred head, a living Egyptian king, surrounded by his coiffured court, was banqueting in the flesh upon a real throne, before a table laden with Memphian delicacies!
I stood transfixed with awe and amazement, my tongue and my feet alike forgetting their office, and my brain whirling round and round, as I remember it used to whirl when my health broke down utterly at Cambridge after the Classical Tripos. I gazed fixedly at the strange picture before me, taking in all its details in a confused way, yet quite incapable of understanding or realizing any part of its true import. I saw the king in the centre of the hall, raised on a throne of granite inlaid with gold and ivory; his head crowned with the peaked cap of Rameses, and his curled hair flowing down his shoulders in a set and formal frizz. I saw priests and warriors on either side, dressed in the costumes which I had often carefully noted in our great collections; while bronze-skinned maids, with light garments round their waists, and limbs displayed in graceful picturesqueness, waited upon them, half nude, as in the wall paintings which we had lately examined at Karnak and Syene. I saw the ladies, clothed from head to foot in dyed linen garments, sitting apart in the background, banqueting by themselves at a separate table; while dancing girls, like older representatives of my yesternoon friends, the Ghawázi, tumbled before them in strange attitudes, to the music of four-stringed harps and long straight pipes. In short, I beheld as in a dream the whole drama of everyday Egyptian royal life, playing itself out anew under my eyes, in its real original properties and personages.