Then Netta put him away from her, not too hastily, but with a lingering hesitation, and said once more, "But, Mr. Milliter, I can never marry you. You will repent of this yourself by-and-by at your leisure. Just think, how could I ever marry you, when I should always be too frightened of you to call you anything but 'Mr. Milliter!'"

"Why, Netta," cried the young professor, with a merry laugh, "if that's all, you'll soon learn to call me, 'Cyril.'"

"To call you 'Cyril,' Mr. Milliter! Oh dear, no, never. Why, I've looked at you so often in meeting, and felt so afraid of you, because you were so learned, and wise, and terrible: and I'm sure I should never learn to call you by your Christian name, whatever happened."

"And as you can't do that, you won't marry me! I'm delighted to hear it, Netta—delighted to hear it; for if that's the best reason you can conjure up against the match, I don't think, little one, I shall find it very hard to talk you over."

"But, Mr. Milliter, are you quite sure you won't regret it yourself hereafter? Are you quite sure you won't repent, when you find Society doesn't treat you as it did, for my sake? Are you quite sure nothing will rise up hereafter between us, no spectre of class difference, or class prejudice, to divide our lives and make us unhappy?"

"Never!" Cyril Milliter answered, seizing both her hands in his eagerly, and looking up with an instinctive glance to the open heaven above them as witness. "Never, Netta, as long as I live and you live, shall any shadow of such thought step in for one moment to put us asunder."

And Netta, too proud and pleased to plead against her own heart any longer, let him kiss her once again a lover's kiss, and pressed his hand in answer timidly, and walked back with him blushing towards Mortiscombe, his affianced bride before the face of high heaven.

When Society at Mortiscombe first learnt that that clever young Professor Milliter was really going to marry the daughter of some factory foreman, Society commented frankly upon the matter according to the various idiosyncrasies and temperaments of its component members. Some of it was incredulous; some of it was shocked; some of it was cynical; some of it was satirical; and some of it, shame to say, was spitefully free with suggested explanations for such very strange and unbecoming conduct. But Cyril Milliter himself was such a transparently honest and straightforward man, that, whenever the subject was alluded to in his presence, he shamed the cynicism and the spitefulness of Society by answering simply, "Yes, I'm going to marry a Miss Leaworthy, a very good and sweet girl, the daughter of the foreman at the Tube Works, who is a great friend of mine and a member of my little Sunday congregation." And, somehow, when once Cyril Milliter had said that in his quiet natural way to anybody, however cynical, the somebody never cared to talk any more gossip thenceforward for ever on the subject of the professor's forthcoming marriage.

Indeed, so fully did the young professor manage to carry public sentiment with him in the end, that when the wedding-day actually arrived, almost every carriage in all Mortiscombe was drawn up at the doors of the small chapel where the ceremony was performed; and young Mrs. Milliter had more callers during the first fortnight after her honeymoon than she knew well how to accommodate in their tiny drawing-room. In these matters, Society never takes any middle course. Either it disapproves of a "mixed marriage" altogether, in which case it crushes the unfortunate offender sternly under its iron heel; or else it rapturously adopts the bride into its own magic circle, in which case she immediately becomes a distinct somebody, in virtue of the very difference of original rank, and is invited everywhere with empressement as a perfect acquisition to the local community. This last was what happened with poor simple blushing little Netta, who found herself after a while so completely championed by all Mortiscombe that she soon fell into her natural place in the college circle as if to the manner born. All nice girls, of whatever class, are potentially ladies (which is more than one can honestly say for all women of the upper ranks), and after a very short time Netta became one of the most popular young married women in all Mortiscombe. When once Society had got over its first disappointment because Cyril Milliter had not rather married one of its own number, it took to Netta with the greatest cordiality. After all, there is something so very romantic, you know, in a gentleman marrying a foreman's daughter; and something so very nice and liberal, too, in one's own determination to treat her accordingly in every way like a perfect equal.

And yet, happy as she was, Netta could never be absolutely free from a pressing fear, a doubt that Cyril might not repent his choice, and feel sorry in the end for not having married a real lady. That fear pursued her through all her little triumph, and almost succeeded in making her half jealous of Cyril whenever she saw him talking at all earnestly (and he was very apt to be earnest) with other women. "They know so much more than I do," she thought to herself often; "he must feel so much more at home with them, naturally, and be able to talk to them about so many things that he can never possibly talk about with poor little me." Poor girl, it never even occurred to her that from the higher standpoint of a really learned man like Cyril Milliter the petty smattering of French and strumming of the piano, wherein alone these grand girls actually differed from her, were mere useless surface accomplishments, in no way affecting the inner intelligence or culture, which were the only things that Cyril regarded in any serious light as worthy of respect or admiration. As a matter of fact, Netta had learnt infinitely more from her Bible, her English books, her own heart, and surrounding nature, than any of these well-educated girls had learnt from their parrot-trained governesses; and she was infinitely better fitted than any of them to be a life companion for such a man as Cyril Milliter.