To both Elma and her mother this meeting between Colonel Kelmscott and Guy Waring was full of mystery. For the Kelmscotts, of Tilgate Park, were the oldest county family in all that part of Surrey; and Colonel Kelmscott himself passed as the proudest man of that haughtiest house in Southern England. What, therefore, could have made him give so curious and almost imperceptible a start the moment Guy Waring’s name was mentioned in conversation? Not a word that he said, to be sure, implied to Guy himself the depth of his surprise; but Elma, with her marvellous insight, could see at once, for all that, by the very haze in his eyes, that he was fascinated by Guy’s personality, somewhat as she herself had been fascinated the other day in the train by Sardanapalus. Nay, more; he seemed to wish, with all his heart, to leave the young man’s presence, and yet to be glued to the spot, in spite of himself, by some strange compulsion.
It was with a dreamy, far-away tone in his voice that the Colonel uttered those seemingly simple words, “And is your brother here, too, this afternoon, Mr. Waring?”
“Yes, he’s somewhere about,” Guy answered carelessly. “He’ll turn up by-and-by, no doubt. He’s pretty sure to find out, sooner or later, Miss Clifford’s here, and then he’ll come round this way to speak to her.”
For some time they stood talking in a little group by the bench, Colonel Kelmscott meanwhile thawing by degrees and growing gradually interested in what Guy had to say, while Elma looked on with a devouring curiosity.
“Your brother’s a painter, you say,” the Colonel murmured once under that heavy white moustache of his; “yes, I think I remember. A rising painter. Had a capital landscape in the Grosvenor last year, I recollect, and another in the Academy this spring, if I don’t mistake—skied—skied, unfairly; yet a very pretty thing, too; ‘At the Home of the Curlews.’”
“He’s painting a sweet one now,” Elma put in quickly, “down here, close by, in Chetwood Forest. He told me about it; it must be simply lovely—all fern and mosses, with, oh! such a beautiful big snake in the foreground.”
“I should like to see it,” Colonel Kelmscott said slowly, not without a pang. “If it’s painted in the forest—and by your brother, Mr. Waring—that would give it, to me, a certain personal value.” He paused a moment; then he added, in a little explanatory undertone, “I’m lord of the manor, you know, at Chetwood; and I shoot the forest.”
“Cyril would be delighted to let you see the piece when it’s finished,” Guy answered lightly. “If you’re ever up in town our way—we’ve rooms in Staple Inn. I dare say you know it—that quaint, old-fashioned looking place, with big lattice windows, that overhangs Holborn.”
Colonel Kelmscott started, and drew himself up still taller and stiffer than before.
“I may have some opportunity of seeing it some day in one of the galleries,” he answered coldly, as if not to commit himself. “To tell you the truth, I seldom have time to lounge about in studios. It was merely the coincidence of the picture being painted in Chetwood Forest that made me fancy for a moment I might like to see it. But I’m no connoisseur. Mrs. Clifford, may I take you to get a cup of tea? Tea, I think, is laid out in the tent behind the shrubbery.”